The oscillation between real and unreal, the hidden but also the obvious, characterizes the series of Documenta Expo paintings. Territories are explored without orderly Hierarchies and try to unfold interfaces through this openness, in which a type of observation becomes possible that can navigate freely back and forth between the countless and very different elements so that each viewer can come to their own unique interpretation.

Mikail Akar is the youngest abstract artist worldwide. His works are in demand internationally and find a place with collectors. Mikail’s fresh color combinations, his action painting and wild esprit quickly led him to exhibitions in various German cities, including first Düsseldorf, Cologne and Jüchen. His works have been on display in numerous major cities, galleries and exhibition places around the world. Mikail considers himself an artist of contemporary art. In his works he processes what he feels, thinks and how he sees the world. For him, contemporary art means freedom, the complete abolition of rules and taboos.

Lulwah did not just want to use Arabic letters in a system or follow the rules of Islamic geometry. She was really searching for new codes. “I wanted to create new ciphers for Arabic characters, with geometrical patterns and the word combined to form a whole.” 

Lulwah did not just want to use Arabic letters in a system or follow the rules of Islamic geometry. She was really searching for new codes. “I wanted to create new ciphers for Arabic characters, with geometrical patterns and the word combined to form a whole.” 

We are showing crypto art by five artists.

Ali Eckert, Carla Chan, Ju Schnee, Lilly Grote, Tatumm

Each of the artists not only represents their own understanding of art, but also a different approach to the production of NFTs. Only one thing unites them: the dissolution of boundaries and the look at a new medium.

For 35 years, Stephan Hann has been concerned with the demise and survival of materials. Long before the appreciative view of people and materials had even reached the consciousness of many. And yet we are still faced with the question of how a new appreciation, a desire, a craving for something seen as worthless can arise.

For 35 years, Stephan Hann has been concerned with the demise and survival of materials. Long before the appreciative view of people and materials had even reached the consciousness of many. And yet we are still faced with the question of how a new appreciation, a desire, a craving for something seen as worthless can arise.

For 35 years, Stephan Hann has been concerned with the demise and survival of materials. Long before the appreciative view of people and materials had even reached the consciousness of many. And yet we are still faced with the question of how a new appreciation, a desire, a craving for something seen as worthless can arise.

In 1980 Vladimir Sichov went to France and showed his street photographs to the Paris Match office. The magazine published 44 pages of his photographs with an interview. Publications of 55 pages and a cover in "Stern", four issues of the Italian "Oggi" and 12 pages in the American "Life" magazine followed in May. In the same year he became the most published photographer in the world.

Making light visually tangible is a groundbreaking factor in the works that can be seen in the Hotel Mond Fine Arts gallery in Berlin. His works increasingly move from the flat to the three-dimensional. They bulge forth from the wall, grow into the room. To do this, he works on the picture plane in its entirety, lends it structure and covers it with a complex, filigreed network of lines. The influences of Islamic architecture are unmistakable.

Making light visually tangible is a groundbreaking factor in the works that can be seen in the Hotel Mond Fine Arts gallery in Berlin. His works increasingly move from the flat to the three-dimensional. They bulge forth from the wall, grow into the room. To do this, he works on the picture plane in its entirety, lends it structure and covers it with a complex, filigreed network of lines. The influences of Islamic architecture are unmistakable.

Björn Vogel has long been fascinated by patterns, symbols, markings and movements of all shapes and sizes. He explores the different origins and developments of our expressions; How these unfold and partly change. Basic forms, lines that often define structures, the directions, and dimensions in which the most diverse elements are presented. Impressions that we perceive that change in the movement, the scope of which shifts. Shapes that change depending on the angle, depending on the view.

During a visit to his studio, the Berlin gallery owner Michael Schultz discovered portraits and nudes from the 90s. In his exhibition announcement he said: Wendland is considered a chronicler of the political turmoil in Berlin. His paintings cover the entire spectrum of the social relevance of the time. With his provocative, politically influenced, often erotic depictions, Sigurd Wendland has made a name for himself internationally.

 

During a visit to his studio, the Berlin gallery owner Michael Schultz discovered portraits and nudes from the 90s. In his exhibition announcement he said: Wendland is considered a chronicler of the political turmoil in Berlin. His paintings cover the entire spectrum of the social relevance of the time. With his provocative, politically influenced, often erotic depictions, Sigurd Wendland has made a name for himself internationally.