Upcoming Events

Vernissage 09.01., 18h–21h
Vernissage 11.01., 12h–18h

Current

until 04.01.2025 Über der Baumgrenze. Neue Zeichnungen. Martina Altschäfer. Drawing. Repro Transhumanz, Martina Altschäfer, 2023, Farbstift und Pastell auf Papier, 130 x 160 cm, Photo: Axel Schneider

Profile

The Poll Gallery was founded in 1968 in what was then West Berlin. It is one of the leading galleries for contemporary art since 1960 in Germany. The programme focuses on realistic and figurative positions in painting, drawing, photography and sculpture. Since 1969, the gallery has regularly participated in national and international art fairs.

Upcoming

10.01.2025 – 01.03.2025 Grüße aus Italien. Thomas Lange. Painting, Drawing. Repro Venere D, Thomas Lange, 2023, Öl und Mischtechnik auf Leinwand, 100 x 150 cm
11.01.2025 – 08.02.2025 Traumwelten. HELMA. (Schaulager der Galerie Poll, Gipsstraße 3, 10119 Berlin) Painting. Repro Phönix II, HELMA, 1999, Öl auf Leinwand, 150 x 100 cm

Past

06.09. – 26.10. Konstruktive Eskapaden. Malerei aus verschiedenen Jahrzehnten. Peter Benkert. Painting. Repro Weiße Zone, Peter Benkert, 2001, Acryl auf Leinwand, 95 x 140 cm

For his exhibition painter Peter Benkert has selected nine large-scale acrylic paintings from various decades, representing distinct phases of his work. The oldest piece dates to 1983, while the newest was completed in 2023. All the works are marked by a rigorous structure and a clear organizational framework. The crisp-edged forms, rendered in complementary colours, evoke cosmic imagery and spark futuristic visions. 

06.09. – 26.10. Konstruktive Eskapaden. Malerei aus verschiedenen Jahrzehnten. Peter Benkert. Painting. Repro Cosmic Trip I, Peter Benkert, 2001, Acryl auf Leinwand, 100 x 282,5 cm, Photo: dotgain.info

For his exhibition painter Peter Benkert has selected nine large-scale acrylic paintings from various decades, representing distinct phases of his work. The oldest piece dates to 1983, while the newest was completed in 2023. All the works are marked by a rigorous structure and a clear organizational framework. The crisp-edged forms, rendered in complementary colours, evoke cosmic imagery and spark futuristic visions. 

06.09. – 26.10. Konstruktive Eskapaden. Malerei aus verschiedenen Jahrzehnten. Peter Benkert. Painting. Repro Imaginäre Konstellation, Peter Benkert, 1998, Acryl auf Leinwand, 290 x 100 cm, Photo: dotgain.info

For his exhibition painter Peter Benkert has selected nine large-scale acrylic paintings from various decades, representing distinct phases of his work. The oldest piece dates to 1983, while the newest was completed in 2023. All the works are marked by a rigorous structure and a clear organizational framework. The crisp-edged forms, rendered in complementary colours, evoke cosmic imagery and spark futuristic visions. 

06.09. – 26.10. Konstruktive Eskapaden. Malerei aus verschiedenen Jahrzehnten. Peter Benkert. Painting. Repro Hard Edge Blues, Peter Benkert, 1994, Acryl auf Leinwand, 200 x 280 cm

For his exhibition painter Peter Benkert has selected nine large-scale acrylic paintings from various decades, representing distinct phases of his work. The oldest piece dates to 1983, while the newest was completed in 2023. All the works are marked by a rigorous structure and a clear organizational framework. The crisp-edged forms, rendered in complementary colours, evoke cosmic imagery and spark futuristic visions. 

14.06. – 27.07. Menagerie. Sabina Grzimek, Peter Herrmann, Ralf Kerbach, Heidrun Rueda, Hans Scheib. Painting, Watercolor, Sculpture. Repro Kerbach, Ralf, 2023, Öl auf Leinwand, 120 x 90 cm, Photo: Ralf Kerbach / VG Bild-Kunst, Bonn 2024

This summer, Galerie Poll will be transformed into a “menagerie”: native and exotic animals will appear in paintings, sculptures, and watercolours by Sabina Grzimek, Peter Herrmann, Ralf Kerbach, Heidrun Rueda, and Hans Scheib. The oil paintings, sculptures and works on paper, some created specifically for this exhibition, open a dialogue – revealing, in their juxtaposition, “animalistic”, wild, or even tamed aspects of their respective worldviews.

14.06. – 27.07. Menagerie. Sabina Grzimek, Peter Herrmann, Ralf Kerbach, Heidrun Rueda, Hans Scheib. Painting, Watercolor, Sculpture. Repro Wenn Leoparden träumen, Peter Herrmann, 1991, Öl auf Leinwand, 205 x 175 cm

This summer, Galerie Poll will be transformed into a “menagerie”: native and exotic animals will appear in paintings, sculptures, and watercolours by Sabina Grzimek, Peter Herrmann, Ralf Kerbach, Heidrun Rueda, and Hans Scheib. The oil paintings, sculptures and works on paper, some created specifically for this exhibition, open a dialogue – revealing, in their juxtaposition, “animalistic”, wild, or even tamed aspects of their respective worldviews.

14.06. – 27.07. Menagerie. Sabina Grzimek, Peter Herrmann, Ralf Kerbach, Heidrun Rueda, Hans Scheib. Painting, Watercolor, Sculpture. Repro Sperlingskauz am Baum, Heidrun Rueda, 2023, Öl auf Leinwand, 24 x 30 cm, Photo: Heidrun Rueda / VG Bild-Kunst, Bonn 2024

This summer, Galerie Poll will be transformed into a “menagerie”: native and exotic animals will appear in paintings, sculptures, and watercolours by Sabina Grzimek, Peter Herrmann, Ralf Kerbach, Heidrun Rueda, and Hans Scheib. The oil paintings, sculptures and works on paper, some created specifically for this exhibition, open a dialogue – revealing, in their juxtaposition, “animalistic”, wild, or even tamed aspects of their respective worldviews.

14.06. – 27.07. Menagerie. Sabina Grzimek, Peter Herrmann, Ralf Kerbach, Heidrun Rueda, Hans Scheib. Painting, Watercolor, Sculpture. Repro Möwen, Hans Scheib, 2012, Holz/Farbe, verschiedene Maße

This summer, Galerie Poll will be transformed into a “menagerie”: native and exotic animals will appear in paintings, sculptures, and watercolours by Sabina Grzimek, Peter Herrmann, Ralf Kerbach, Heidrun Rueda, and Hans Scheib. The oil paintings, sculptures and works on paper, some created specifically for this exhibition, open a dialogue – revealing, in their juxtaposition, “animalistic”, wild, or even tamed aspects of their respective worldviews.

26.04. – 08.06. Dickicht. Volker Stelzmann. Painting. Repro Kopfüber, Volker Stelzmann, 2023/2024, Mischtechnik auf MDF, 140 x 100 cm, Photo: dotgain.info / VG Bild-Kunst, Bonn 2024

Volker Stelzmann has named his twelfth solo exhibition at Galerie Poll “Thicket”. The gallery has represented the painter for over thirty years. Stelzmann’s work is characterised by great continuity. Over the years, he has created his own universe of images through his distinctive language of forms. He continually invents new, sophisticated arrangements and compositions for his groups of figures. Still lifes are also recurring themes in his work.

26.04. – 08.06. Dickicht. Volker Stelzmann. Painting. Repro Standarte, Volker Stelzmann, 2023, Mischtechnik auf Nessel auf MDF, 170 x 100 cm, Photo: VG Bild-Kunst, Bonn 2024

Volker Stelzmann has named his twelfth solo exhibition at Galerie Poll “Thicket”. The gallery has represented the painter for over thirty years. Stelzmann’s work is characterised by great continuity. Over the years, he has created his own universe of images through his distinctive language of forms. He continually invents new, sophisticated arrangements and compositions for his groups of figures. Still lifes are also recurring themes in his work.

26.04. – 08.06. Dickicht. Volker Stelzmann. Painting. Repro Köpfefries I, Volker Stelzmann, 2023, Mischtechnik auf MDF, 35 x 100 cm, Photo: dotgain.info / VG Bild-Kunst, Bonn 2024

Volker Stelzmann has named his twelfth solo exhibition at Galerie Poll “Thicket”. The gallery has represented the painter for over thirty years. Stelzmann’s work is characterised by great continuity. Over the years, he has created his own universe of images through his distinctive language of forms. He continually invents new, sophisticated arrangements and compositions for his groups of figures. Still lifes are also recurring themes in his work.

26.04. – 08.06. Dickicht. Volker Stelzmann. Painting. Repro Meerschnecken und Muscheln, Volker Stelzmann, 2023, Mischtechnik auf MDF, 55 x 80 cm, Photo: dotgain.info / VG Bild-Kunst, Bonn 2024

Volker Stelzmann has named his twelfth solo exhibition at Galerie Poll “Thicket”. The gallery has represented the painter for over thirty years. Stelzmann’s work is characterised by great continuity. Over the years, he has created his own universe of images through his distinctive language of forms. He continually invents new, sophisticated arrangements and compositions for his groups of figures. Still lifes are also recurring themes in his work.

26.04. – 08.06. Dickicht. Volker Stelzmann. Painting. Repro Gelbe Gurke und Meerschnecke, Volker Stelzmann, 2022, Mischtechnik auf MDF, 50 x 70 cm, Photo: dotgain.info / VG Bild-Kunst, Bonn 2024

Volker Stelzmann has named his twelfth solo exhibition at Galerie Poll “Thicket”. The gallery has represented the painter for over thirty years. Stelzmann’s work is characterised by great continuity. Over the years, he has created his own universe of images through his distinctive language of forms. He continually invents new, sophisticated arrangements and compositions for his groups of figures. Still lifes are also recurring themes in his work.

09.03. – 20.04. Kopfkino. Peer Boehm. Painting, Drawing. Repro Antibes, Peer Boehm, 2023, Aquarell und Acryl auf Leinwand, 180 x 120 cm, Photo: Peer Boehm / VG Bild-Kunst, Bonn, 2024

“Cinema of the Mind” is the evocative title of Cologne artist Peer Boehm’s second solo exhibition at Galerie Poll, featuring new paintings and ballpoint pen drawings. Boehm finds his motifs in albums acquired at flea markets, in magazines, or on the internet. He abstracts people and places through digital editing, simplifying the motif through light and dark contrasts to the brink of unrecognisability, before transferring it onto canvas or paper for further artistic refinement.

09.03. – 20.04. Kopfkino. Peer Boehm. Painting, Drawing. Repro Wenn man Verabredungen vermeiden könnte, Peer Boehm, 2023, Aquarell, Gouache und Acryl auf Leinwand, 120 x 80 cm, Photo: Peer Boehm / VG Bild-Kunst, Bonn 2024

“Cinema of the Mind” is the evocative title of Cologne artist Peer Boehm’s second solo exhibition at Galerie Poll, featuring new paintings and ballpoint pen drawings. Boehm finds his motifs in albums acquired at flea markets, in magazines, or on the internet. He abstracts people and places through digital editing, simplifying the motif through light and dark contrasts to the brink of unrecognisability, before transferring it onto canvas or paper for further artistic refinement.

09.03. – 20.04. Kopfkino. Peer Boehm. Painting, Drawing. Repro Lieber heute noch, Peer Boehm, 2023, Aquarell und Acryl auf Leinwand, 105 x 70 cm, Photo: Peer Boehm / VG Bild-Kunst, Bonn 2024

“Cinema of the Mind” is the evocative title of Cologne artist Peer Boehm’s second solo exhibition at Galerie Poll, featuring new paintings and ballpoint pen drawings. Boehm finds his motifs in albums acquired at flea markets, in magazines, or on the internet. He abstracts people and places through digital editing, simplifying the motif through light and dark contrasts to the brink of unrecognisability, before transferring it onto canvas or paper for further artistic refinement.

09.03. – 20.04. Kopfkino. Peer Boehm. Painting, Drawing. Repro Heute Umbau, Peer Boehm, 2023, Kugelschreiber auf bedrucktem Papier, 29,7 x 21 cm, Photo: Peer Boehm / VG Bild-Kunst, Bonn 2024

“Cinema of the Mind” is the evocative title of Cologne artist Peer Boehm’s second solo exhibition at Galerie Poll, featuring new paintings and ballpoint pen drawings. Boehm finds his motifs in albums acquired at flea markets, in magazines, or on the internet. He abstracts people and places through digital editing, simplifying the motif through light and dark contrasts to the brink of unrecognisability, before transferring it onto canvas or paper for further artistic refinement.

09.03. – 20.04. Kopfkino. Peer Boehm. Painting, Drawing. Repro Gerne wieder INTERNATIONAL, Peer Boehm, 2023, Kugelschreiber auf bedrucktem Papier, 29,7 x 21 cm, Photo: Peer Boehm / VG Bild-Kunst, Bonn 2024

“Cinema of the Mind” is the evocative title of Cologne artist Peer Boehm’s second solo exhibition at Galerie Poll, featuring new paintings and ballpoint pen drawings. Boehm finds his motifs in albums acquired at flea markets, in magazines, or on the internet. He abstracts people and places through digital editing, simplifying the motif through light and dark contrasts to the brink of unrecognisability, before transferring it onto canvas or paper for further artistic refinement.

19.01. – 02.03. Landschaften und Labyrinthe. Malerei, Radierungen und ein Spiegelkasten. Bettina von Arnim. Painting, Print, Mixed. Repro Nach-Stadt, Bettina von Arnim, 1982, Öl auf Leinwand, 125 x 115 cm, Photo: Richard Thieler
03.11.2023 – 06.01. kontrastreich. Danja Akulin. Drawing. Repro o.T., Danja Akulin, 2022, Bleistift und Graphit auf Papier, aufgezogen auf Leinwand, 135 x 135 cm, Photo: Matthias Kolb

Danja Akulin’s depictions of nature range from deep black to bright white, composed of a variety of black and grey tones. Forests, fields, clouds, and water, portrayed at times from close up, at times from a distance, are rendered strikingly immediate by the artist’s virtuoso technique, which skilfully juxtaposes sharp and blurred sections, fine lines and rough strokes. Yet these scenes also exude a profound sense of tranquillity. The large-format compositions atmospherically capture light and shadow, stillness and movement.

03.11.2023 – 06.01. kontrastreich. Danja Akulin. Drawing. Repro o. T., Danja Akulin, 2022, Bleistift und Graphit auf Papier auf Leinwand aufgezogen, 110 x 200 cm, Photo: Matthias Kolb

Danja Akulin’s depictions of nature range from deep black to bright white, composed of a variety of black and grey tones. Forests, fields, clouds, and water, portrayed at times from close up, at times from a distance, are rendered strikingly immediate by the artist’s virtuoso technique, which skilfully juxtaposes sharp and blurred sections, fine lines and rough strokes. Yet these scenes also exude a profound sense of tranquillity. The large-format compositions atmospherically capture light and shadow, stillness and movement.

03.11.2023 – 06.01. kontrastreich. Danja Akulin. Drawing. Repro o. T., Danja Akulin, 2021, Bleistift und Graphit auf Papier auf Leinwand aufgezogen, 110 x 200 cm, Photo: Matthias Kolb

Danja Akulin’s depictions of nature range from deep black to bright white, composed of a variety of black and grey tones. Forests, fields, clouds, and water, portrayed at times from close up, at times from a distance, are rendered strikingly immediate by the artist’s virtuoso technique, which skilfully juxtaposes sharp and blurred sections, fine lines and rough strokes. Yet these scenes also exude a profound sense of tranquillity. The large-format compositions atmospherically capture light and shadow, stillness and movement.

03.11.2023 – 06.01. kontrastreich. Danja Akulin. Drawing. Repro o. T., Danja Akulin, 2023, Bleistift und Graphit auf Papier, aufgezogen auf Leinwand, 135 x 135 cm

Danja Akulin’s depictions of nature range from deep black to bright white, composed of a variety of black and grey tones. Forests, fields, clouds, and water, portrayed at times from close up, at times from a distance, are rendered strikingly immediate by the artist’s virtuoso technique, which skilfully juxtaposes sharp and blurred sections, fine lines and rough strokes. Yet these scenes also exude a profound sense of tranquillity. The large-format compositions atmospherically capture light and shadow, stillness and movement.

08.09.2023 – 28.10.2023 Ginstergrund. Eric Keller. Painting. Repro Große Wolke, Eric Keller, 2023, Öl auf Holz, 85 x 75 cm, Photo: Baldauf & Baldauf

Eric Keller’s paintings have a magnetic appeal, even though – or perhaps because – their subjects are anything but spectacular. From casual glimpses of waterside paths, sports fields and car parks, railway crossings, sheds or industrial buildings, and interiors of abandoned GDR cultural buildings, the artist composes a unique visual cosmos. In this focused interplay with memory, landscapes and architectures mostly remain deserted. 

08.09.2023 – 28.10.2023 Ginstergrund. Eric Keller. Painting. Repro Stauffenbergallee, Eric Keller, 2023, Öl auf Holz, 84 x 60 cm

Eric Keller’s paintings have a magnetic appeal, even though – or perhaps because – their subjects are anything but spectacular. From casual glimpses of waterside paths, sports fields and car parks, railway crossings, sheds or industrial buildings, and interiors of abandoned GDR cultural buildings, the artist composes a unique visual cosmos. In this focused interplay with memory, landscapes and architectures mostly remain deserted. 

08.09.2023 – 28.10.2023 Ginstergrund. Eric Keller. Painting. Repro Kötitz, Eric Keller, 2022, Öl auf Holz, 109 x 97 cm, Photo: Baldauf & Baldauf

Eric Keller’s paintings have a magnetic appeal, even though – or perhaps because – their subjects are anything but spectacular. From casual glimpses of waterside paths, sports fields and car parks, railway crossings, sheds or industrial buildings, and interiors of abandoned GDR cultural buildings, the artist composes a unique visual cosmos. In this focused interplay with memory, landscapes and architectures mostly remain deserted. 

08.09.2023 – 28.10.2023 Ginstergrund. Eric Keller. Painting. Repro Kulturhaus 6, Eric Keller, 2023, Öl auf Holz, 94 x 110 cm, Photo: Baldauf & Baldauf

Eric Keller’s paintings have a magnetic appeal, even though – or perhaps because – their subjects are anything but spectacular. From casual glimpses of waterside paths, sports fields and car parks, railway crossings, sheds or industrial buildings, and interiors of abandoned GDR cultural buildings, the artist composes a unique visual cosmos. In this focused interplay with memory, landscapes and architectures mostly remain deserted. 

08.09.2023 – 28.10.2023 Ginstergrund. Eric Keller. Painting. Repro Straße bei Gorbitz, Eric Keller, 2022, Öl auf Holz, 50 x 60 cm, Photo: Baldauf & Baldauf

Eric Keller’s paintings have a magnetic appeal, even though – or perhaps because – their subjects are anything but spectacular. From casual glimpses of waterside paths, sports fields and car parks, railway crossings, sheds or industrial buildings, and interiors of abandoned GDR cultural buildings, the artist composes a unique visual cosmos. In this focused interplay with memory, landscapes and architectures mostly remain deserted. 

16.06.2023 – 23.08.2023 Bangalore Street Life. Matthias Beckmann. Watercolor. Repro Kuh vor Supermarkt, Matthias Beckmann, 2022, Aquarell, 30 x 24 cm

With “Bangalore Street Life”, Galerie Poll is showing Matthias Beckmann’s first solo exhibition of watercolours, which he created in the fall of 2022 in India’s third-largest city (after Mumbai and Delhi). Invited as part of the Goethe-Institut’s bangaloREsidency, the artist found himself directly confronted with the everyday life of a metropolis of eleven million people for two months.

16.06.2023 – 23.08.2023 Bangalore Street Life. Matthias Beckmann. Watercolor. Repro Straße mit Palme, Matthias Beckmann, 2022, Aquarell, Bleistift, 30 x 24 cm

With “Bangalore Street Life”, Galerie Poll is showing Matthias Beckmann’s first solo exhibition of watercolours, which he created in the fall of 2022 in India’s third-largest city (after Mumbai and Delhi). Invited as part of the Goethe-Institut’s bangaloREsidency, the artist found himself directly confronted with the everyday life of a metropolis of eleven million people for two months.

16.06.2023 – 23.08.2023 Bangalore Street Life. Matthias Beckmann. Watercolor. Repro Beef Market, Matthias Beckmann, 2022, Aquarell, Bleistift, 30 x 24 cm

With “Bangalore Street Life”, Galerie Poll is showing Matthias Beckmann’s first solo exhibition of watercolours, which he created in the fall of 2022 in India’s third-largest city (after Mumbai and Delhi). Invited as part of the Goethe-Institut’s bangaloREsidency, the artist found himself directly confronted with the everyday life of a metropolis of eleven million people for two months.

16.06.2023 – 23.08.2023 Bangalore Street Life. Matthias Beckmann. Watercolor. Repro Glashaus im Lalbagh Botanical Garden, Matthias Beckmann, 2022, Bleistift und Aquarell, laviert, 30 x 24 cm

With “Bangalore Street Life”, Galerie Poll is showing Matthias Beckmann’s first solo exhibition of watercolours, which he created in the fall of 2022 in India’s third-largest city (after Mumbai and Delhi). Invited as part of the Goethe-Institut’s bangaloREsidency, the artist found himself directly confronted with the everyday life of a metropolis of eleven million people for two months.

16.06.2023 – 23.08.2023 Bangalore Street Life. Matthias Beckmann. Watercolor. Repro Jesus is coming soon, Matthias Beckmann, 2022, Aquarell, 30 x 24 cm

With “Bangalore Street Life”, Galerie Poll is showing Matthias Beckmann’s first solo exhibition of watercolours, which he created in the fall of 2022 in India’s third-largest city (after Mumbai and Delhi). Invited as part of the Goethe-Institut’s bangaloREsidency, the artist found himself directly confronted with the everyday life of a metropolis of eleven million people for two months.

28.04.2023 – 10.06.2023 Wow! Markus Draper. Painting, Print, Media Art, Fotografie. Repro Desert Storm, Markus Draper, 2019, Fine Art Print auf Japanpapier, 94,6 x 65 cm (inkl. Rahmen), Photo: Hans-Georg Gaul, Berlin
28.04.2023 – 10.06.2023 Wow! Markus Draper. Painting, Print, Media Art, Fotografie. Repro Blick in die Ausstellung "Wow!", Markus Draper, 2023, Photo: dotgain.info
03.03.2023 – 15.04.2023 Aiming High. Frank Schinski. Fotografie. Repro ohne Titel, aus: Aiming High, Frank Schinski, 2020, C-Print, Diasec, Auflage: 3 + 2 AP, 90 x 120 cm, Photo: Frank Schinski

Frank Schinski has long been preoccupied with the question of what work means for people. In his photographic works, he observes the mechanisms and interactions between the world of work and the individual. For his series "Aiming High", he has been photographing people at job fairs, job interviews, castings and assessment centres in various cultural spaces since 2017. The exhibition provides an insight into the series, which will soon be published in full as a book.

13.01.2023 – 25.02.2023 Deutsche Landschaft. Jan Schüler. Painting. Repro Dresden: Die Elbe bei Schloss Pillnitz , Jan Schüler , 2022, Öl auf Leinwand, 110 x 140 cm, Photo: Jan Schüler / VG Bild-Kunst, Bonn 2022
13.01.2023 – 25.02.2023 Deutsche Landschaft. Jan Schüler. Painting. Repro Weimar: Blick aus Goethes Wohnhaus in den Garten, Jan Schüler, 2022, Öl auf Leinwand, 100 x 80 cm, Photo: Jan Schüler / VG Bild-Kunst, Bonn 2022
13.01.2023 – 25.02.2023 Deutsche Landschaft. Jan Schüler. Painting. Repro Berlin: Abend am Olympiastadion, Jan Schüler, 2019, Öl auf Leinwand, 100 x 120 cm, Photo: Jan Schüler / VG Bild-Kunst, Bonn 2023
13.01.2023 – 25.02.2023 Deutsche Landschaft. Jan Schüler. Painting. Repro Sommerabend am Rhein, Jan Schüler, 2019, Öl auf Leinwand, 90 x 110 cm, Photo: Jan Schüler / VG Bild-Kunst, Bonn, 2023
13.01.2023 – 25.02.2023 Deutsche Landschaft. Jan Schüler. Painting. Repro Blick in die Ausstellung "Deutsche Landschaft", Jan Schüler, 2023, Photo: dotgain.info
28.10.2022 – 07.01.2023 Inszenierung und Wirklichkeit. Neue Landschaften. Heike Negenborn. Painting, Print. Repro Quarry, Heike Negenborn, 2022, Acryl auf Holz, 64 x 76 cm, Photo: Heike Negenborn / VG Bild-Kunst, Bonn 2022
02.09.2022 – 22.10.2022 Junge Frau mit Unendlichkeitskette. Porträts 1981-2022. Göran Gnaudschun. Fotografie. Repro Junge Frau mit Unendlichkeitskette, Göran Gnaudschun, 2015, Pigmentdruck auf Barytpapier, 46,8 x 31,2 cm, Photo: Göran Gnaudschun

The exhibition “Young Woman with Infinity Necklace: Portraits 1981–2022” attempts to explore the essence of Göran Gnaudschun’s portraits, with a selection of some thirty works of his from various series: How does he succeed again and again in capturing the characteristics of the people he encounters in such immediate and compelling portraits? Is there something that unites all the images? A common thread linking his photographs from the past twenty years? Can we discern a development?

02.09.2022 – 22.10.2022 Junge Frau mit Unendlichkeitskette. Porträts 1981-2022. Göran Gnaudschun. Fotografie. Repro Paule, April 2012, aus: Alexanderplatz, 2010-2013, Göran Gnaudschun, 2012, Pigmentdruck auf Barytpapier, 43,1 x 28,7 cm

The exhibition “Young Woman with Infinity Necklace: Portraits 1981–2022” attempts to explore the essence of Göran Gnaudschun’s portraits, with a selection of some thirty works of his from various series: How does he succeed again and again in capturing the characteristics of the people he encounters in such immediate and compelling portraits? Is there something that unites all the images? A common thread linking his photographs from the past twenty years? Can we discern a development?

02.09.2022 – 22.10.2022 Junge Frau mit Unendlichkeitskette. Porträts 1981-2022. Göran Gnaudschun. Fotografie. Repro Engel, aus: I follow rivers, 2016-2022, Göran Gnaudschun, 2016, Pigmentdruck auf Barytpapier, 46,5 x 30,9 cm

The exhibition “Young Woman with Infinity Necklace: Portraits 1981–2022” attempts to explore the essence of Göran Gnaudschun’s portraits, with a selection of some thirty works of his from various series: How does he succeed again and again in capturing the characteristics of the people he encounters in such immediate and compelling portraits? Is there something that unites all the images? A common thread linking his photographs from the past twenty years? Can we discern a development?

02.09.2022 – 22.10.2022 Junge Frau mit Unendlichkeitskette. Porträts 1981-2022. Göran Gnaudschun. Fotografie. Repro Thikwa, aus: Neue Portraits, 2005-2008, Göran Gnaudschun, 2008, Pigmentdruck auf Barytpapier, 24,8 x 16,3 cm

The exhibition “Young Woman with Infinity Necklace: Portraits 1981–2022” attempts to explore the essence of Göran Gnaudschun’s portraits, with a selection of some thirty works of his from various series: How does he succeed again and again in capturing the characteristics of the people he encounters in such immediate and compelling portraits? Is there something that unites all the images? A common thread linking his photographs from the past twenty years? Can we discern a development?

02.09.2022 – 22.10.2022 Junge Frau mit Unendlichkeitskette. Porträts 1981-2022. Göran Gnaudschun. Fotografie. Repro Blick in die Ausstellung, Göran Gnaudschun, 2022, Photo: dotgain.info

The exhibition “Young Woman with Infinity Necklace: Portraits 1981–2022” attempts to explore the essence of Göran Gnaudschun’s portraits, with a selection of some thirty works of his from various series: How does he succeed again and again in capturing the characteristics of the people he encounters in such immediate and compelling portraits? Is there something that unites all the images? A common thread linking his photographs from the past twenty years? Can we discern a development?

07.07.2022 – 10.07.2022 art Karlsruhe (Messe Karlsruhe, Messeallee 1, 76287 Rheinstetten)
17.06.2022 – 30.07.2022 Chercher la vérité. Zeichnungen und Druckgraphik. Martina Altschäfer, Matthias Beckmann, Peer Boehm, Orlando . Print, Drawing. Repro USA, Atlantik City, Trump Plaza, Martina Altschäfer, 2021, Graphit auf Karton, 10 x 16 cm
17.06.2022 – 30.07.2022 Chercher la vérité. Zeichnungen und Druckgraphik. Martina Altschäfer, Matthias Beckmann, Peer Boehm, Orlando . Print, Drawing. Repro Passagen-Werk, Matthias Beckmann, 2019/2020, Bleistift auf Papier, 29,7 x 21 cm
17.06.2022 – 30.07.2022 Chercher la vérité. Zeichnungen und Druckgraphik. Martina Altschäfer, Matthias Beckmann, Peer Boehm, Orlando . Print, Drawing. Repro Unter Aufsicht Pilze suchen, Peer Boehm, 2021, Kugelschreiber und Kaffee auf Seekarte, 89 x 110 cm
17.06.2022 – 30.07.2022 Chercher la vérité. Zeichnungen und Druckgraphik. Martina Altschäfer, Matthias Beckmann, Peer Boehm, Orlando . Print, Drawing. Repro Harzwald, Orlando, 2020, Mezzotinto, 38 x 68 cm
06.05.2022 – 28.07.2022 Tauziehen. (Willy- Brandt-Haus, Stresemannstraße 28, 10963 Berlin) Peer Boehm. Painting, Drawing

Hinweis: Die Ausstellung muss wegen technischer Arbeiten im Willy-Brandt-Haus leider bereits am 28.07.2022 schließen.

22.04.2022 – 11.06.2022 Birds of Tegel. Daniel Poller. Fotografie. Repro Birds of Tegel, Daniel Poller, 2022, Archivfester Pigment Print, Photo: Daniel Poller, VG Bild-Kunst 2022

For nearly fifty years propeller planes and jets took off and landed at Berlin-Tegel Airport. When TXL was closed in November 2020, Daniel Poller was able to photograph crows, pigeons, starlings and cranes that would soon take over the runways for good. The result is the series „Birds of Tegel“ (2022). A publication with a text by Andreas Prinzing will be published by Edizione Multicolore.

22.04.2022 – 11.06.2022 Birds of Tegel. Daniel Poller. Fotografie. Repro Birds of Tegel, Daniel Poller, 2022, Archivfester Pigment Print, verschiedene Formate, Photo: Daniel Poller, VG Bild-Kunst 2022

For nearly fifty years propeller planes and jets took off and landed at Berlin-Tegel Airport. When TXL was closed in November 2020, Daniel Poller was able to photograph crows, pigeons, starlings and cranes that would soon take over the runways for good. The result is the series „Birds of Tegel“ (2022). A publication with a text by Andreas Prinzing will be published by Edizione Multicolore.

22.04.2022 – 11.06.2022 Birds of Tegel. Daniel Poller. Fotografie. Repro Birds of Tegel, Daniel Poller, 2022, Archivfester Pigment Print, verschiedene Formate, Photo: Daniel Poller, VG Bild-Kunst 2022

For nearly fifty years propeller planes and jets took off and landed at Berlin-Tegel Airport. When TXL was closed in November 2020, Daniel Poller was able to photograph crows, pigeons, starlings and cranes that would soon take over the runways for good. The result is the series „Birds of Tegel“ (2022). A publication with a text by Andreas Prinzing will be published by Edizione Multicolore.

22.04.2022 – 11.06.2022 Birds of Tegel. Daniel Poller. Fotografie. Repro Birds of Tegel, Daniel Poller, 2022, Archivfester Pigment Print, verschiedene Formate, Photo: Daniel Poller, VG Bild-Kunst 2022

For nearly fifty years propeller planes and jets took off and landed at Berlin-Tegel Airport. When TXL was closed in November 2020, Daniel Poller was able to photograph crows, pigeons, starlings and cranes that would soon take over the runways for good. The result is the series „Birds of Tegel“ (2022). A publication with a text by Andreas Prinzing will be published by Edizione Multicolore.

22.04.2022 – 11.06.2022 Birds of Tegel. Daniel Poller. Fotografie. Repro Birds of Tegel, Daniel Poller, 2022, Archivfester Pigment Print, verschiedene Formate, Photo: Daniel Poller, VG Bild-Kunst 2022

For nearly fifty years propeller planes and jets took off and landed at Berlin-Tegel Airport. When TXL was closed in November 2020, Daniel Poller was able to photograph crows, pigeons, starlings and cranes that would soon take over the runways for good. The result is the series „Birds of Tegel“ (2022). A publication with a text by Andreas Prinzing will be published by Edizione Multicolore.

04.03.2022 – 16.04.2022 Tour imaginaire. Malerei und Zeichnungen 2020-2022. Andreas Silbermann. Painting, Drawing. Repro Halle 4, Andreas Silbermann, 2022, Öl auf Leinwand, 55 x 80 cm
04.03.2022 – 16.04.2022 Tour imaginaire. Malerei und Zeichnungen 2020-2022. Andreas Silbermann. Painting, Drawing. Repro Haus am See, Andreas Silbermann, 2022, Öl auf Leinwand, 67 x 94 cm
04.03.2022 – 16.04.2022 Tour imaginaire. Malerei und Zeichnungen 2020-2022. Andreas Silbermann. Painting, Drawing. Repro Kleine weiße Tankstelle, Andreas Silbermann, 2022, Öl auf Leinwand, 22 x 33 cm
04.03.2022 – 16.04.2022 Tour imaginaire. Malerei und Zeichnungen 2020-2022. Andreas Silbermann. Painting, Drawing. Repro 24 Hr Service, Andreas Silbermann, 2022, Öl auf Leinwand, 20,5 x 38 cm
04.03.2022 – 16.04.2022 Tour imaginaire. Malerei und Zeichnungen 2020-2022. Andreas Silbermann. Painting, Drawing. Repro Roter Schuppen, Andreas Silbermann, 2021, Öl auf Leinwand, 20,5 x 38 cm
14.01.2022 – 26.02.2022 Zum 85. Geburtstag. Papierarbeiten und Skulpturen. Joachim Schmettau. Drawing, Sculpture. Repro Selbstporträt mit Zipfelmütze, Joachim Schmettau, 1978, Gips bemalt, Höhe 23 cm
29.10.2021 – 08.01.2022 Stillleben. Peter Herrmann, Ralf Kerbach, Heidrun Rueda, Volker Stelzmann. Painting, Watercolor. Repro Schwarz-Weiß, Peter Herrmann, 2020, Öl auf Leinwand, dreiteilig, zusammen 120 x 270 cm, Photo: Erik Mai
29.10.2021 – 08.01.2022 Stillleben. Peter Herrmann, Ralf Kerbach, Heidrun Rueda, Volker Stelzmann. Painting, Watercolor. Repro Fensterstilleben, Ralf Kerbach, 2021, Öl auf Leinwand, 130 x 100 cm
29.10.2021 – 08.01.2022 Stillleben. Peter Herrmann, Ralf Kerbach, Heidrun Rueda, Volker Stelzmann. Painting, Watercolor. Repro Stehender Salatkopf, groß, Heidrun Rueda, 2021, Tempera, Acrylfarbe auf Leinwand, 100 x 120 cm
29.10.2021 – 08.01.2022 Stillleben. Peter Herrmann, Ralf Kerbach, Heidrun Rueda, Volker Stelzmann. Painting, Watercolor. Repro Aloe, Schwamm und Volto bianco, Volker Stelzmann, 2021, Mischtechnik auf MDF, 50 x 70 cm
03.09.2021 – 23.10.2021 More than a story. Malerei. Markus Draper. Painting. Repro Last Shot, Markus Draper, 2020, 165 x 215 cm, Photo: Hans-Georg Gaul
03.09.2021 – 23.10.2021 More than a story. Malerei. Markus Draper. Painting. Repro More than a Story, Markus Draper, 2020, Öl auf Leinwand, 210 x 320 cm, Photo: Hans-Georg Gaul
03.09.2021 – 23.10.2021 More than a story. Malerei. Markus Draper. Painting. Repro Last Shot, Markus Draper, 2020, Öl auf Leinwand, 165 x 215 cm, Photo: Hans-Georg Gaul
03.09.2021 – 23.10.2021 More than a story. Malerei. Markus Draper. Painting. Repro Hard to Say, Markus Draper, 2021, Öl auf Leinwand, 150 x 200 cm, Photo: Hans-Georg Gaul
03.09.2021 – 23.10.2021 More than a story. Malerei. Markus Draper. Painting. Repro Killing Me Softly, Markus Draper, 2021, Öl auf Leinwand, 185 x 240 cm, Photo: Hans-Georg Gaul
03.07.2021 – 25.09.2021 Eric Keller. (Schaulager der Galerie Poll, Gipsstraße 3, 10119 Berlin) Painting. Repro Schönbach, Eric Keller, 2021, Öl auf Holz, 55 x 65 cm, Photo: Baldauf & Baldauf
03.07.2021 – 25.09.2021 Eric Keller. (Schaulager der Galerie Poll, Gipsstraße 3, 10119 Berlin) Painting. Repro Bühne nachts, Eric Keller, 2021, Öl auf Holz, 80 x 115 cm, Photo: Baldauf & Baldauf
03.07.2021 – 25.09.2021 Eric Keller. (Schaulager der Galerie Poll, Gipsstraße 3, 10119 Berlin) Painting. Repro Bahnübergang 2, Eric Keller, 2020, Öl auf Holz, 85 x 115 cm, Photo: Baldauf & Baldauf
04.06.2021 – 21.08.2021 Gravidität. Malerei und Zeichnung der 1960er Jahre (im August nach Vereinbarung). Maina-Miriam Munsky (1943-1999). Painting, Drawing. Repro Gravidität, Maina-Miriam Munsky, 1967, Acryl auf Nessel, zwei Leinwände, insgesamt 105 x 180 cm
04.06.2021 – 21.08.2021 Gravidität. Malerei und Zeichnung der 1960er Jahre (im August nach Vereinbarung). Maina-Miriam Munsky (1943-1999). Painting, Drawing. Repro Geburt II, Maina-Miriam Munsky (1943-1999), 1967, Acryl auf Nessel, 136 x 120 cm
04.06.2021 – 21.08.2021 Gravidität. Malerei und Zeichnung der 1960er Jahre (im August nach Vereinbarung). Maina-Miriam Munsky (1943-1999). Painting, Drawing. Repro o.T. VIII, Maina-Miriam Munsky, 1968, Blei- und Farbstift auf Papier, 62,2 x 49,4 cm
19.03.2021 – 29.05.2021 true places II. Martina Altschäfer. Drawing. Repro Frühling, Martina Altschäfer, 2020, Farbstift und Pastell auf Papier, 126 x 160 cm, Photo: Axel Schneider
19.03.2021 – 29.05.2021 true places II. Martina Altschäfer. Drawing. Repro Alto, Martina Altschäfer, 2014-15, Farbstift und Pastell auf Papier, 126 x 160 cm
19.03.2021 – 29.05.2021 true places II. Martina Altschäfer. Drawing. Repro Rauhnacht, Martina Altschäfer, 2020, Farbstift und Patell, 126 x 160 cm
19.03.2021 – 29.05.2021 true places II. Martina Altschäfer. Drawing. Repro Lenk II, Martina Altschäfer, 2021, Pastell auf Papier, 100 x 70 cm
19.03.2021 – 29.05.2021 true places II. Martina Altschäfer. Drawing. Repro Gotthard 1, Martina Altschäfer, 2021, Pastell auf Papier, 100 x 70 cm
19.01.2021 – 13.03.2021 Grenzerfahrung. Peer Boehm. Painting, Drawing. Repro Grenzerfahrung, Peer Boehm, 2020, Aquarell, Tusche und Acryl auf Leinwand, 70 x 90 cm
03.11.2020 – 09.01.2021 Nachsaison. Eric Keller. Painting. Repro ÖZ, Eric Keller, 2020, Öl auf Holz, 66 x 60 cm, Photo: Baldauf & Baldauf
10.09.2020 – 13.09.2020 paper positions berlin. Herbert Kaufmann, Siegfried Neuenhausen. (Flughafen Tempelhof) Mixed. Repro Fräulein B., Siegfried Neuenhausen, 1965, Papier, Foto, Kunststoff, Leimfarbe, 40 x 29 x 12 cm, Photo: Stefan Neuenhausen
04.09.2020 – 24.10.2020 Beton. Neue Bilder zum Arbeiter. Ralf Kerbach. Painting. Repro Typ Styropor, Ralf Kerbach, 2020, Öl auf Leinwand, 210 x 160 cm, Photo: Lion Hoffmann
23.06.2020 – 22.08.2020 Endgültige Fassung der Beschlussvorlage. (4.-22.08.2020 nur nach Vereinbarung) . Daniel Poller. Fotografie. Repro Endgültige Fassung der Beschlussvorlage, Daniel Poller, 2020, Archival Pigment Print, 60 x 40 cm, Photo: Daniel Poller
06.03.2020 – 13.06.2020 Was tun? Malerei und Radierungen. Volker Stelzmann. Painting, Print
25.02.2020 – 21.03.2020 Cinémas perdus. (Schaulager der Galerie Poll) Richard Thieler. Fotografie
17.01.2020 – 29.02.2020 Goodbye to Berlin. Zum 80. Geburtstag. Sarah Haffner. Painting, Drawing, Screen printing
07.11.2019 – 01.02.2020 Are You Happy? (Schaulager der Galerie Poll, Gipsstraße 3, 10119 Berlin) Göran Gnaudschun. Fotografie
01.11.2019 – 11.01.2020 Landschaften. Heike Negenborn, Andreas Silbermann. Painting
12.09.2019 – 15.09.2019 Positions Berlin Art Fair. (Flughafen Berlin-Tempelhof, Hangar 4, 12101 Berlin) Jenö Gindl, Göran Gnaudschun, Eric Keller, Jan Schüler
06.09.2019 – 26.10.2019 Are You Happy? Göran Gnaudschun. Fotografie
14.06.2019 – 03.08.2019 erinnern - träumen - zeichnen. Zeichnungen und Radierungen. Danja Akulin, Peer Boehm, Ralf Kerbach, Orlando. Painting, Print
26.04.2019 – 08.06.2019 Neue Arbeiten. Jenö Gindl. Fotografie
09.03.2019 – 20.04.2019 Sabina Grzimeks Welt. Menschen - Tiere - Landschaften. Sabina Grzimek. Painting, Print, Sculpture
19.01.2019 – 02.03.2019 Pop & Politik. Frühe Arbeiten. Hermann Albert, Ulrich Baehr, Lambert M. Wintersberger. Painting
10.11.2018 – 12.01.2019 Transit: Berlin. Neue Arbeiten. Jan Schüler. Painting
27.09.2018 – 30.09.2018 Positions Berlin Art Fair 2018. (Flughafen Berlin-Tempelhof, Hangar 4) Johannes Daniel, Eric Keller, Daniel Poller. Painting, Fotografie
08.09.2018 – 03.11.2018 Does sex cause cancer? Ein Querschnitt durch das Werk des Berliner Realisten. Peter Sorge (1937-2000). Painting, Print
08.09.2018 – 03.11.2018 Editionen, Plakate und Drucksachen aus 50 Jahren. Galerie Poll, gegründet 1968 in West-Berlin. (Schaulager, Hof Gipsstraße 3, 10119 Berlin) Print, Fotografie, Mixed
08.09.2018 – 02.03.2019 Die 60er & 70er Jahre in Berlin. Werke aus der Sammlung der Kunststiftung Poll. Hermann Albert, Dieter Kraemer, Reinhard Lange, Wolfgang Petrick, Peter Sorge. Painting
09.06.2018 – 28.07.2018 Stille Drift. Eric Keller. Painting
12.05.2018 Brandmeldungen: Martina Altschäfer und Matthias Beckmann im Gespräch. Buchvorstellung und Ausstellung (Schaulager, Gipsstraße 3, Hof, Eintritt frei)
21.04.2018 – 02.06.2018 2 x 2 - zwei Doppelausstellungen mit vier Positionen junger Kunst. Teil II. Johannes Daniel, Daniel Poller. Painting, Fotografie
03.03.2018 – 14.04.2018 2 x 2 - zwei Doppelausstellungen mit vier Positionen junger Kunst. Teil I. Justus Bräutigam, Susanne Keichel. Painting, Fotografie
13.01.2018 – 24.02.2018 Capitol, Gloria, Schauburg. Kino-Fotografien. Richard Thieler. Fotografie
04.11.2017 – 06.01.2018 Grenzenlos. Künstlerische Positionen aus England, Frankreich, Griechenland, Italien, Spanien und Venezuela 1947 bis 1992. Eduardo Arroyo, Paolo Baratella, Jacobo Borges, Ian Colverson, Vlassis Caniaris, Rafael Canogar, Equipo Crónica, Erró , Jean Hélion, Peter Klasen, u.a.. Painting, Print
21.10.2017 – 28.10.2017 Thomas Lange zum 60. Geburtstag. Ausstellung zum Bildband „Thomas Lange“ (Schaulager der Galerie Poll)
14.09.2017 – 17.09.2017 Positions Berlin Art Fair 2017. (Arena Berlin, Eichenstrasse 4, 12435 Berlin) Martina Altschäfer, Volker Stelzmann. Painting
09.09.2017 – 28.10.2017 Das Treffen. Neue Arbeiten. Volker Stelzmann. Painting
10.06.2017 – 17.08.2017 Rolf Gérard (1909-2011). Maler, Zeichner, Bühnenbildner. Painting, Print
22.04.2017 – 03.06.2017 Malerei. Peter Herrmann. Painting
11.02.2017 – 15.04.2017 Stadtansichten und andere Berlin-Motive. Malerei und Zeichnung 1958-1964. Dieter Kraemer. Painting
03.12.2016 – 04.02.2017 Berlin 1961-1968. Vintage Prints. (Schaulager, Gipsstraße 3, Hof, 10119 Berlin) Bernard Larsson. Fotografie
26.11.2016 – 04.02.2017 True Places. Zeichnungen. Martina Altschäfer. Painting
08.10.2016 – 19.11.2016 It’s not what you see. Rivka Rinn. Fotografie
10.09.2016 – 01.10.2016 30 Jahre Kunststiftung Poll. Einblick in die Sammlung I/IV (zusätzlich in den Räumen der Galerie der Kunststiftung Poll). Hermann Albert, Hans-Jürgen Diehl, Herbert Kaufmann, Reinhard Lange, Maina-Miriam Munsky, Wolfgang Petrick, Joachim Schmettau, Peter Sorge, Norbert Tadeusz, Jürgen Waller, u.a.. Painting, Sculpture
25.06.2016 – 06.08.2016 Collagen & Litfaßsäulen. Herbert Kaufmann (1924-2011). Print, Sculpture
23.04.2016 – 18.06.2016 Annäherung an ein Lebenswerk. Malerei. Lambert M. Wintersberger (1941-2013). Painting
20.02.2016 – 16.04.2016 Alles auf Anfang. Fotografie, Malerei und Skulptur aus den 60er/70er Jahren. Peter Bernkert, Bernd Damke, Joachim Schmettau, Peter Sorge, Erhard Wehrmann. Painting, Sculpture, Fotografie
28.11.2015 – 13.02.2016 Drachenmuster. Ralf Kerbach. Painting
19.09.2015 – 21.11.2015 Die Cyborgs und ihre Spuren 1968-1983. Bettina von Arnim. Painting
 

Galerie Poll

Gipsstr. 3, Hof, Parterre, B 10119

Berlin Mitte

T: +49.30.2617091

M: +49.160.8015282

F: +49.30.28496211

Tu–Sa 12–18h
and by appointment

(im August nur nach Vereinbarung)