Christoph Primm's strength is the tension between color and structure. He layers the undiluted color into complex compositions and makes the painting itself the object of observation. At first glance, his pictures are gestural abstractions. At second glance, symbolism can also be discovered in the pictures. The open image forms activate the experience of the color presentation and the painting process.

Ana P. Buehner deals with virtual worlds and their effects on us humans. In extremely long work processes, she uses computers and AI to create templates for her oil paintings, which she executes using photorealistic and old master painting techniques. Her extremely long work processes form a counterpoint to our time, which is accelerated by AI. Ana P. Buehner's pictures open up a discourse about what reality is.

Ulrike Bröcker paints a landscape that she feels deeply and to which she has developed a close relationship. She allows her sensitive visual experiences and her intense emotional experience in and from nature to flow directly into her brushes and creates atmospherically impressive landscapes in which landscape zones dissolve into horizontal bars and waves of color. She has succeeded in reinventing Romanticism in its best sense.

100 monumental sculptures by Jo Kley can be found in public spaces in Germany and 25 other countries. What's exciting about Jo Kley's sculptures is how movement and energy materialize in the stone. We know the shapes from ancient times. Ilka Schneider is a virtuoso draftswoman who knows how to counteract every black brush gesture with a confident and at the same time sensitive drawn line, who invents one figure after another and tells stories after stories.

100 monumental sculptures by Jo Kley can be found in public spaces in Germany and 25 other countries. What's exciting about Jo Kley's sculptures is how movement and energy materialize in the stone. We know the shapes from ancient times. Ilka Schneider is a virtuoso draftswoman who knows how to counteract every black brush gesture with a confident and at the same time sensitive drawn line, who invents one figure after another and tells stories after stories.

Sylvia Bähring addresses the careless and dismissive treatment of our past and our cultural heritage in post-reunification Germany. Her starting point is the view from her parents' house in Thuringia, then of a traditional porcelain factory, now of an asphalt parking lot. As an act of reconciliation, she stages her assembled sculptures made from the shards of the past against these black surfaces.

Öffnungszeiten: 10 h – 13 h + 14 h – 17 h

In recent years, the Berlin gallery ROOT organized various plein air painting trips in the project "ROOT on the road": 2022 In the footsteps of Gustav Klimt at Lake Attersee; 2019 In the footsteps of plastic waste in Schleswig-Holstein between the Baltic Sea and the North Sea; 2018 In the footsteps of the Castor transports in Gorleben; 2016 In the footsteps of the planned power lines through the Schorfheide in the Uckermark.

As part of the exchange program between the two academies, scholarship holders from the Freie Akademie der Bildenden Künste Kärnten (Free Academy of Fine Arts Kärnten) will be guests at the Akademie für Malerei Berlin (Academy for Painting Berlin) and Galerie ROOT (ROOT gallery) for 14 days.

In the exhibition, steel sculptures by Manuela Tirler are in a dialogue with abstract oil paintings by Christoph Primm, a painting that has grown and condensed over many layers. Manuela Tirler has already attracted attention with numerous exhibitions and awards. Her works fascinate by a close, but alienated relationship of art and nature and by the impression of lightness, which stands in contrast to the heaviness of the material used.