Does emptiness equal absence? Are we able to find ourselves in any space without previously giving it meaning, thus not imposing upon it context? Are we capable of accepting that, the given space, just exists in the here and now? 

Kowalewska arrives at the core of their being. The synthesis and the limited palette of colors of black and white eliminate any redundant narration. Thanks to this we can experience it. In emptiness the core of the matter is born. 

Eleonora Bojanowska

The exhibition Tribe by the artist Justyna Adamczyk is a spectacular start to a cooperation with the OP ENHEIM Foundation in Wroclaw, Poland. In her work, the artist deals with the fetishisation and aestheticisation of trauma, using various creative techniques, especially painting and sculpture. Justyna Adamczyk (born in 1981 in Opoczno) graduated from the E. Geppert Academy of Fine Arts in Wrocław, majoring in painting in 2007. 

Touch is a concept that creates a thread that connects the various parts of the presented project, even though none of the shown works allows it to "touch" itself directly. The whole story, in its pastel-minimalist form, unfolds among the trees that permeate every space where I move. The variety of touch portrays the experience of the world of flora and the intimate relationship with this ubiquitous

and diverse tissue.

The Hilleckes Gallery is thus starting a new edition of group exhibitions and is thus presenting its current artist program in its own rooms. A mixture of different works by Eliška Bartek, Marina Herrmann, Barbara Anna Husar, Kristin Kolb und Iginio Iurilli can be seen. 

The Hilleckes Gallery is thus starting a new edition of group exhibitions and is thus presenting its current artist program in its own rooms. A mixture of different works by Eliška Bartek, Marina Herrmann, Barbara Anna Husar, Kristin Kolb und Iginio Iurilli can be seen. 

The Hilleckes Gallery is thus starting a new edition of group exhibitions and is thus presenting its current artist program in its own rooms. A mixture of different works by Eliška Bartek, Marina Herrmann, Barbara Anna Husar, Kristin Kolb und Iginio Iurilli can be seen. 

With her work, the artist has committed herself to accurate color drawing. Above all, Kristin Kolb lets the animal world come to life on old books that she has collected for this purpose and, for the most part, restored by herself. Her talent for drawing is obvious. The astonishment succeeds above all through Kolb's sensitive color perception and how she binds her pictorial figures with the peculiarities of the book cover to a new unit.