Johanna Reich works at the interface between digital and analog visual worlds. Many of her works are created on the basis of several years of research, in which the artist investigates and changes gaps in history, complex backgrounds of coding such as the opaque influence of databases on the development of algorithms and the resulting image production. 

The exhibition "Christopher Lehmpfuhl: London" features the Berlin-based Plein-air painter who ventured into the streets of London, tracing the steps of the Impressionists. Lehmpfuhl's journey has resulted in a collection of new paintings and watercolours that capture the essence of London, blending tradition with his unique sensory style. 

‘Morphing Memories’ shows works by Jay Gard, Tamara Kvesitadze, Susanne Roewer and Coral Lambert. They deal intensively with the interactions between sculpture and public space. Their common strength lies in the reinterpretation of traditional sculptural and architectural concepts, which they introduce into the contemporary discourse. The works on display thematise identity, cultural heritage and the dynamic relationships between people, space and society.

At POSITIONS Berlin Art Fair 2024, we are presenting a solo exhibition by Shanee Roe. In her paintings and drawings, she meticulously explores interpersonal relationships and moments of intimacy in urban and peripheral environments. Her latest works examine power dynamics, ranging from explicit sexuality to deep compassion, capturing intimate human interactions between the everyday and the celebratory.

For the first time, the works of the two Berlin artists Franziska Klotz and Jan Muche enter into an exciting dialog. Franziska Klotz transforms current and historical events into contemporary history paintings through her subjective gaze, while Jan Muche's constructivist-abstract paintings playfully refer to the ideals of constructivism, creating enigmatic visual worlds with elements of pop art, classical figuration, photography and digital image editing.

For the first time, the works of the two Berlin artists Franziska Klotz and Jan Muche enter into an exciting dialog. Franziska Klotz transforms current and historical events into contemporary history paintings through her subjective gaze, while Jan Muche's constructivist-abstract paintings playfully refer to the ideals of constructivism, creating enigmatic visual worlds with elements of pop art, classical figuration, photography and digital image editing.

For the Gallery Weekend 2024, we are presenting the first solo exhibition by Rao Fu, who has lived in Dresden for two decades. His works combine influences from classical Chinese landscape painting and calligraphy with European traditions. Influences from the Dresden School, Edvard Munch, Peter Doig and Daniel Richter are combined with the culture and philosophy of the East, enriching Saxon Neo-Expressionism with an Asian component.

Under the title "Ornament als Versprechen", the exhibition presents for the first time a series of small-format cyanotypes by Jan Tichy in dialog with sculptures and paintings by Jay Gard. In apparent contradiction to their intensive engagement with the formal language of the Bauhaus, the two artists are united by a shared enthusiasm for ornament, which in their case is removed from its original context and becomes a substantial motif in their art.

Under the title "Ornament als Versprechen", the exhibition presents for the first time a series of small-format cyanotypes by Jan Tichy in dialog with sculptures and paintings by Jay Gard. In apparent contradiction to their intensive engagement with the formal language of the Bauhaus, the two artists are united by a shared enthusiasm for ornament, which in their case is removed from its original context and becomes a substantial motif in their art.