Does great art really require large formats? The summer exhibition “NOPE – does size matter?” approaches this question with a touch of humour. Ten artistic positions present works measuring no more than 50 × 40 cm. Painting, photography, works on paper, sculpture and object-based art transform the gallery into a small summer art fair. The exhibition invites visitors to discover, compare and perhaps unexpectedly fall in love with a work of art – because the passion for collecting often begins with a small piece.

Does great art really require large formats? The summer exhibition “NOPE – does size matter?” approaches this question with a touch of humour. Ten artistic positions present works measuring no more than 50 × 40 cm. Painting, photography, works on paper, sculpture and object-based art transform the gallery into a small summer art fair. The exhibition invites visitors to discover, compare and perhaps unexpectedly fall in love with a work of art – because the passion for collecting often begins with a small piece.

Does great art really require large formats? The summer exhibition “NOPE – does size matter?” approaches this question with a touch of humour. Ten artistic positions present works measuring no more than 50 × 40 cm. Painting, photography, works on paper, sculpture and object-based art transform the gallery into a small summer art fair. The exhibition invites visitors to discover, compare and perhaps unexpectedly fall in love with a work of art – because the passion for collecting often begins with a small piece.

Does great art really require large formats? The summer exhibition “NOPE – does size matter?” approaches this question with a touch of humour. Ten artistic positions present works measuring no more than 50 × 40 cm. Painting, photography, works on paper, sculpture and object-based art transform the gallery into a small summer art fair. The exhibition invites visitors to discover, compare and perhaps unexpectedly fall in love with a work of art – because the passion for collecting often begins with a small piece.

Does great art really require large formats? The summer exhibition “NOPE – does size matter?” approaches this question with a touch of humour. Ten artistic positions present works measuring no more than 50 × 40 cm. Painting, photography, works on paper, sculpture and object-based art transform the gallery into a small summer art fair. The exhibition invites visitors to discover, compare and perhaps unexpectedly fall in love with a work of art – because the passion for collecting often begins with a small piece.

AUGENBLICKE creates a compelling dialogue between Jörg Klaus’s photography and Jörg Kujawa’s painting. Whilst Klaus’s images evoke painterly gestures, Kujawa’s painting is shaped by the photographic gaze. Both approaches revolve around the fleeting moment between perception and memory. The exhibition makes the moment itself the subject of artistic reflection.

AUGENBLICKE creates a compelling dialogue between Jörg Klaus’s photography and Jörg Kujawa’s painting. Whilst Klaus’s images evoke painterly gestures, Kujawa’s painting is shaped by the photographic gaze. Both approaches revolve around the fleeting moment between perception and memory. The exhibition makes the moment itself the subject of artistic reflection.

AUGENBLICKE creates a compelling dialogue between Jörg Klaus’s photography and Jörg Kujawa’s painting. Whilst Klaus’s images evoke painterly gestures, Kujawa’s painting is shaped by the photographic gaze. Both approaches revolve around the fleeting moment between perception and memory. The exhibition makes the moment itself the subject of artistic reflection.

AUGENBLICKE creates a compelling dialogue between Jörg Klaus’s photography and Jörg Kujawa’s painting. Whilst Klaus’s images evoke painterly gestures, Kujawa’s painting is shaped by the photographic gaze. Both approaches revolve around the fleeting moment between perception and memory. The exhibition makes the moment itself the subject of artistic reflection.

AUGENBLICKE creates a compelling dialogue between Jörg Klaus’s photography and Jörg Kujawa’s painting. Whilst Klaus’s images evoke painterly gestures, Kujawa’s painting is shaped by the photographic gaze. Both approaches revolve around the fleeting moment between perception and memory. The exhibition makes the moment itself the subject of artistic reflection.

What happens when cities lose their boundaries? In Ideal City, the artist reassembles public spaces from metropolises around the world. Architecture, transitions and places of convergence enter into unexpected relationships. The familiar detaches itself from its origins, the unfamiliar becomes familiar – playfully, surprisingly. Since 2003, this open-ended project has continued to grow – as a visual, auditory and interactive invitation to understand the city not as a fixed place, but as an idea.

What happens when cities lose their boundaries? In Ideal City, the artist reassembles public spaces from metropolises around the world. Architecture, transitions and places of convergence enter into unexpected relationships. The familiar detaches itself from its origins, the unfamiliar becomes familiar – playfully, surprisingly. Since 2003, this open-ended project has continued to grow – as a visual, auditory and interactive invitation to understand the city not as a fixed place, but as an idea.

What happens when cities lose their boundaries? In Ideal City, the artist reassembles public spaces from metropolises around the world. Architecture, transitions and places of convergence enter into unexpected relationships. The familiar detaches itself from its origins, the unfamiliar becomes familiar – playfully, surprisingly. Since 2003, this open-ended project has continued to grow – as a visual, auditory and interactive invitation to understand the city not as a fixed place, but as an idea.

What happens when cities lose their boundaries? In Ideal City, the artist reassembles public spaces from metropolises around the world. Architecture, transitions and places of convergence enter into unexpected relationships. The familiar detaches itself from its origins, the unfamiliar becomes familiar – playfully, surprisingly. Since 2003, this open-ended project has continued to grow – as a visual, auditory and interactive invitation to understand the city not as a fixed place, but as an idea.

What happens when cities lose their boundaries? In Ideal City, the artist reassembles public spaces from metropolises around the world. Architecture, transitions and places of convergence enter into unexpected relationships. The familiar detaches itself from its origins, the unfamiliar becomes familiar – playfully, surprisingly. Since 2003, this open-ended project has continued to grow – as a visual, auditory and interactive invitation to understand the city not as a fixed place, but as an idea.

VERTICAL HORIZONS invites us to rethink the horizon. Twenty-three artists present works on fragility, memory and quiet strength. Painting, photography, sculpture and works on paper open up spaces in which identity and visibility shine through. The thematic clusters Ver-Letzt (Hurt/Last), Un-Orte (Non-Places) and Trotz (Defiance) unfold power and creative potential, quietly, impressively, unmistakably. 

VERTICAL HORIZONS invites us to rethink the horizon. Twenty-three artists present works on fragility, memory and quiet strength. Painting, photography, sculpture and works on paper open up spaces in which identity and visibility shine through. The thematic clusters Ver-Letzt (Hurt/Last), Un-Orte (Non-Places) and Trotz (Defiance) unfold power and creative potential, quietly, impressively, unmistakably. 

VERTICAL HORIZONS invites us to rethink the horizon. Twenty-three artists present works on fragility, memory and quiet strength. Painting, photography, sculpture and works on paper open up spaces in which identity and visibility shine through. The thematic clusters Ver-Letzt (Hurt/Last), Un-Orte (Non-Places) and Trotz (Defiance) unfold power and creative potential, quietly, impressively, unmistakably. 

VERTICAL HORIZONS invites us to rethink the horizon. Twenty-three artists present works on fragility, memory and quiet strength. Painting, photography, sculpture and works on paper open up spaces in which identity and visibility shine through. The thematic clusters Ver-Letzt (Hurt/Last), Un-Orte (Non-Places) and Trotz (Defiance) unfold power and creative potential, quietly, impressively, unmistakably. 

VERTICAL HORIZONS invites us to rethink the horizon. Twenty-three artists present works on fragility, memory and quiet strength. Painting, photography, sculpture and works on paper open up spaces in which identity and visibility shine through. The thematic clusters Ver-Letzt (Hurt/Last), Un-Orte (Non-Places) and Trotz (Defiance) unfold power and creative potential, quietly, impressively, unmistakably. 

The gallery presents ABSTRACTED CHEMISTRY, the latest series of works by Bo Larsen. The German-Danish artist combines expressive colour with complex structures and explores the invisible mechanisms of the psyche and emotion. His abstract works are visual reflections of inner states – intense, ambiguous and moving.

The gallery presents ABSTRACTED CHEMISTRY, the latest series of works by Bo Larsen. The German-Danish artist combines expressive colour with complex structures and explores the invisible mechanisms of the psyche and emotion. His abstract works are visual reflections of inner states – intense, ambiguous and moving.

The gallery presents ABSTRACTED CHEMISTRY, the latest series of works by Bo Larsen. The German-Danish artist combines expressive colour with complex structures and explores the invisible mechanisms of the psyche and emotion. His abstract works are visual reflections of inner states – intense, ambiguous and moving.

The gallery presents ABSTRACTED CHEMISTRY, the latest series of works by Bo Larsen. The German-Danish artist combines expressive colour with complex structures and explores the invisible mechanisms of the psyche and emotion. His abstract works are visual reflections of inner states – intense, ambiguous and moving.

‘Bloom & Doom’ brings together works that deal with the beauty and fragility of nature, its destruction and its resilience. Following the great success at the exhibitions in London and Basel, we are now showing the three photographic positions together for the first time in Berlin. The exhibition is a photographic dialogue about decay, transformation and the fragile balance between man and nature.

‘Bloom & Doom’ brings together works that deal with the beauty and fragility of nature, its destruction and its resilience. Following the great success at the exhibitions in London and Basel, we are now showing the three photographic positions together for the first time in Berlin. The exhibition is a photographic dialogue about decay, transformation and the fragile balance between man and nature.

‘Bloom & Doom’ brings together works that deal with the beauty and fragility of nature, its destruction and its resilience. Following the great success at the exhibitions in London and Basel, we are now showing the three photographic positions together for the first time in Berlin. The exhibition is a photographic dialogue about decay, transformation and the fragile balance between man and nature.

‘Bloom & Doom’ brings together works that deal with the beauty and fragility of nature, its destruction and its resilience. Following the great success at the exhibitions in London and Basel, we are now showing the three photographic positions together for the first time in Berlin. The exhibition is a photographic dialogue about decay, transformation and the fragile balance between man and nature.

‘Bloom & Doom’ brings together works that deal with the beauty and fragility of nature, its destruction and its resilience. Following the great success at the exhibitions in London and Basel, we are now showing the three photographic positions together for the first time in Berlin. The exhibition is a photographic dialogue about decay, transformation and the fragile balance between man and nature.

To mark the 100th birthday of Reinhold Petermann, nüüd.berlin is showing 30 sculptures by the sculptor in dialogue with 9 portraits by Dale Grant. The double exhibition combines classical sculpture with contemporary photography. Grant's book ‘Face: The Berlin Art Scene’ will be presented for the first time - an exciting interplay between figurative duration and photographic moment, between the Berlin art scene today and a retrospective homage to one of the great sculptors of post-war Germany.

To mark the 100th birthday of Reinhold Petermann, nüüd.berlin is showing 30 sculptures by the sculptor in dialogue with 9 portraits by Dale Grant. The double exhibition combines classical sculpture with contemporary photography. Grant's book ‘Face: The Berlin Art Scene’ will be presented for the first time - an exciting interplay between figurative duration and photographic moment, between the Berlin art scene today and a retrospective homage to one of the great sculptors of post-war Germany.

To mark the 100th birthday of Reinhold Petermann, nüüd.berlin is showing 30 sculptures by the sculptor in dialogue with 9 portraits by Dale Grant. The double exhibition combines classical sculpture with contemporary photography. Grant's book ‘Face: The Berlin Art Scene’ will be presented for the first time - an exciting interplay between figurative duration and photographic moment, between the Berlin art scene today and a retrospective homage to one of the great sculptors of post-war Germany.

To mark the 100th birthday of Reinhold Petermann, nüüd.berlin is showing 30 sculptures by the sculptor in dialogue with 9 portraits by Dale Grant. The double exhibition combines classical sculpture with contemporary photography. Grant's book ‘Face: The Berlin Art Scene’ will be presented for the first time - an exciting interplay between figurative duration and photographic moment, between the Berlin art scene today and a retrospective homage to one of the great sculptors of post-war Germany.

To mark the 100th birthday of Reinhold Petermann, nüüd.berlin is showing 30 sculptures by the sculptor in dialogue with 9 portraits by Dale Grant. The double exhibition combines classical sculpture with contemporary photography. Grant's book ‘Face: The Berlin Art Scene’ will be presented for the first time - an exciting interplay between figurative duration and photographic moment, between the Berlin art scene today and a retrospective homage to one of the great sculptors of post-war Germany.

Pop, colourful, wild – but behind the colourful façade of Daniel & Geo Fuchs' legendary TOYGIANTS, with which they achieved international renown, there is much more: iconic figures from pop culture are staged in monumental portraits, individually or in surprising groupings, and there is often a political dimension as well.

Pop, colourful, wild – but behind the colourful façade of Daniel & Geo Fuchs' legendary TOYGIANTS, with which they achieved international renown, there is much more: iconic figures from pop culture are staged in monumental portraits, individually or in surprising groupings, and there is often a political dimension as well.

Pop, colourful, wild – but behind the colourful façade of Daniel & Geo Fuchs' legendary TOYGIANTS, with which they achieved international renown, there is much more: iconic figures from pop culture are staged in monumental portraits, individually or in surprising groupings, and there is often a political dimension as well.

Pop, colourful, wild – but behind the colourful façade of Daniel & Geo Fuchs' legendary TOYGIANTS, with which they achieved international renown, there is much more: iconic figures from pop culture are staged in monumental portraits, individually or in surprising groupings, and there is often a political dimension as well.

Pop, colourful, wild – but behind the colourful façade of Daniel & Geo Fuchs' legendary TOYGIANTS, with which they achieved international renown, there is much more: iconic figures from pop culture are staged in monumental portraits, individually or in surprising groupings, and there is often a political dimension as well.

At papers position berlin 2025 we present works on paper by Axel Teichmann, Marco Kaufmann and Philip Crawford.

At papers position berlin 2025 we present works on paper by Axel Teichmann, Marco Kaufmann and Philip Crawford.

At papers position berlin 2025 we present works on paper by Axel Teichmann, Marco Kaufmann and Philip Crawford.

At papers position berlin 2025 we present works on paper by Axel Teichmann, Marco Kaufmann and Philip Crawford.

At papers position berlin 2025 we present works on paper by Axel Teichmann, Marco Kaufmann and Philip Crawford.

The photo artists Martin A. Völker (*1972) and Farzin Foroutan (*1992) engage in an image dialogue of their own perception of the world with new works: the family man born in West Berlin and the 20 years younger Iranian immigrant who has been living in Berlin for four years. Völker explores the social miscommunication that leads to injuries; Foroutan explores the challenges of adapting to a new world and addresses themes such as belonging and identity.

The photo artists Martin A. Völker (*1972) and Farzin Foroutan (*1992) engage in an image dialogue of their own perception of the world with new works: the family man born in West Berlin and the 20 years younger Iranian immigrant who has been living in Berlin for four years. Völker explores the social miscommunication that leads to injuries; Foroutan explores the challenges of adapting to a new world and addresses themes such as belonging and identity.

The exhibition ‘Ostria - South Wind’ by Marco Kaufmann (*1975) transports visitors into a fascinating world of light, colour and movement, inspired by the Mediterranean atmosphere and the artist's creative process. The title refers to the warm, humid south wind that blows across the Mediterranean, bringing sand from the Sahara and capturing the feeling of the last hot days on a Greek island, the echo of a summer that bridges the cold of the German winter. 

The exhibition ‘Ostria - South Wind’ by Marco Kaufmann (*1975) transports visitors into a fascinating world of light, colour and movement, inspired by the Mediterranean atmosphere and the artist's creative process. The title refers to the warm, humid south wind that blows across the Mediterranean, bringing sand from the Sahara and capturing the feeling of the last hot days on a Greek island, the echo of a summer that bridges the cold of the German winter. 

The exhibition ‘Ostria - South Wind’ by Marco Kaufmann (*1975) transports visitors into a fascinating world of light, colour and movement, inspired by the Mediterranean atmosphere and the artist's creative process. The title refers to the warm, humid south wind that blows across the Mediterranean, bringing sand from the Sahara and capturing the feeling of the last hot days on a Greek island, the echo of a summer that bridges the cold of the German winter. 

The exhibition ‘Ostria - South Wind’ by Marco Kaufmann (*1975) transports visitors into a fascinating world of light, colour and movement, inspired by the Mediterranean atmosphere and the artist's creative process. The title refers to the warm, humid south wind that blows across the Mediterranean, bringing sand from the Sahara and capturing the feeling of the last hot days on a Greek island, the echo of a summer that bridges the cold of the German winter. 

The exhibition ‘Ostria - South Wind’ by Marco Kaufmann (*1975) transports visitors into a fascinating world of light, colour and movement, inspired by the Mediterranean atmosphere and the artist's creative process. The title refers to the warm, humid south wind that blows across the Mediterranean, bringing sand from the Sahara and capturing the feeling of the last hot days on a Greek island, the echo of a summer that bridges the cold of the German winter. 

Time behaves like rubber; it can be stretched, twisted, inflated, expanded and exploded. The artist Wilhelm Moser takes us on a fascinating journey through time between the past and the future, exploring the abstract nature of time. It is moments – exemplary, ephemeral, and yet equally timeless – frozen by a photograph, captured in a painting, or a sculpture.

Time behaves like rubber; it can be stretched, twisted, inflated, expanded and exploded. The artist Wilhelm Moser takes us on a fascinating journey through time between the past and the future, exploring the abstract nature of time. It is moments – exemplary, ephemeral, and yet equally timeless – frozen by a photograph, captured in a painting, or a sculpture.

Time behaves like rubber; it can be stretched, twisted, inflated, expanded and exploded. The artist Wilhelm Moser takes us on a fascinating journey through time between the past and the future, exploring the abstract nature of time. It is moments – exemplary, ephemeral, and yet equally timeless – frozen by a photograph, captured in a painting, or a sculpture.

Time behaves like rubber; it can be stretched, twisted, inflated, expanded and exploded. The artist Wilhelm Moser takes us on a fascinating journey through time between the past and the future, exploring the abstract nature of time. It is moments – exemplary, ephemeral, and yet equally timeless – frozen by a photograph, captured in a painting, or a sculpture.

Time behaves like rubber; it can be stretched, twisted, inflated, expanded and exploded. The artist Wilhelm Moser takes us on a fascinating journey through time between the past and the future, exploring the abstract nature of time. It is moments – exemplary, ephemeral, and yet equally timeless – frozen by a photograph, captured in a painting, or a sculpture.

With her new pictures, the artist tells the story of being on the road. She collects ideas for her pictures with her camera while travelling - this can be in the far distance, but also just around the corner in a Berlin backyard or in a Brandenburg meadow landscape. She draws attention to the fleeting and inconspicuous, structures and details that often go unnoticed. Pours of colour, generous brushstrokes and dissolutions characterise the beginning of her working process and form the basis of her paintings.

With her new pictures, the artist tells the story of being on the road. She collects ideas for her pictures with her camera while travelling - this can be in the far distance, but also just around the corner in a Berlin backyard or in a Brandenburg meadow landscape. She draws attention to the fleeting and inconspicuous, structures and details that often go unnoticed. Pours of colour, generous brushstrokes and dissolutions characterise the beginning of her working process and form the basis of her paintings.

With her new pictures, the artist tells the story of being on the road. She collects ideas for her pictures with her camera while travelling - this can be in the far distance, but also just around the corner in a Berlin backyard or in a Brandenburg meadow landscape. She draws attention to the fleeting and inconspicuous, structures and details that often go unnoticed. Pours of colour, generous brushstrokes and dissolutions characterise the beginning of her working process and form the basis of her paintings.

With her new pictures, the artist tells the story of being on the road. She collects ideas for her pictures with her camera while travelling - this can be in the far distance, but also just around the corner in a Berlin backyard or in a Brandenburg meadow landscape. She draws attention to the fleeting and inconspicuous, structures and details that often go unnoticed. Pours of colour, generous brushstrokes and dissolutions characterise the beginning of her working process and form the basis of her paintings.

With her new pictures, the artist tells the story of being on the road. She collects ideas for her pictures with her camera while travelling - this can be in the far distance, but also just around the corner in a Berlin backyard or in a Brandenburg meadow landscape. She draws attention to the fleeting and inconspicuous, structures and details that often go unnoticed. Pours of colour, generous brushstrokes and dissolutions characterise the beginning of her working process and form the basis of her paintings.

The exhibition introduces Mathias Vef as the gallery's new artist. In his works, he explores the interplay of body and identity, inspired by people who look at their bodies experimentally. Through photography, video and 3D scans, he deconstructs these bodies and creates new surreal works with the help of artificial intelligence. These works are contrasted with works by other artists to create a multi-layered field for discussion. 

The exhibition introduces Mathias Vef as the gallery's new artist. In his works, he explores the interplay of body and identity, inspired by people who look at their bodies experimentally. Through photography, video and 3D scans, he deconstructs these bodies and creates new surreal works with the help of artificial intelligence. These works are contrasted with works by other artists to create a multi-layered field for discussion. 

The exhibition introduces Mathias Vef as the gallery's new artist. In his works, he explores the interplay of body and identity, inspired by people who look at their bodies experimentally. Through photography, video and 3D scans, he deconstructs these bodies and creates new surreal works with the help of artificial intelligence. These works are contrasted with works by other artists to create a multi-layered field for discussion. 

The exhibition introduces Mathias Vef as the gallery's new artist. In his works, he explores the interplay of body and identity, inspired by people who look at their bodies experimentally. Through photography, video and 3D scans, he deconstructs these bodies and creates new surreal works with the help of artificial intelligence. These works are contrasted with works by other artists to create a multi-layered field for discussion. 

The exhibition introduces Mathias Vef as the gallery's new artist. In his works, he explores the interplay of body and identity, inspired by people who look at their bodies experimentally. Through photography, video and 3D scans, he deconstructs these bodies and creates new surreal works with the help of artificial intelligence. These works are contrasted with works by other artists to create a multi-layered field for discussion. 

In the exhibition "before now", we are showing the fascinating world of the renowned Estonian artist Ivar Kaasik, who lives in Berlin. His large-format abstract paintings are characterised by monochrome colours and strict geometry, expressing chaos and death, but also light, order and rebirth. The new works from 2022/24 and the older works from the 1990s lead the viewer into the artist's past and present and are just as astonishing as a selection of his photorealistic paintings. 

In the exhibition "before now", we are showing the fascinating world of the renowned Estonian artist Ivar Kaasik, who lives in Berlin. His large-format abstract paintings are characterised by monochrome colours and strict geometry, expressing chaos and death, but also light, order and rebirth. The new works from 2022/24 and the older works from the 1990s lead the viewer into the artist's past and present and are just as astonishing as a selection of his photorealistic paintings. 

In the exhibition "before now", we are showing the fascinating world of the renowned Estonian artist Ivar Kaasik, who lives in Berlin. His large-format abstract paintings are characterised by monochrome colours and strict geometry, expressing chaos and death, but also light, order and rebirth. The new works from 2022/24 and the older works from the 1990s lead the viewer into the artist's past and present and are just as astonishing as a selection of his photorealistic paintings. 

In the exhibition "before now", we are showing the fascinating world of the renowned Estonian artist Ivar Kaasik, who lives in Berlin. His large-format abstract paintings are characterised by monochrome colours and strict geometry, expressing chaos and death, but also light, order and rebirth. The new works from 2022/24 and the older works from the 1990s lead the viewer into the artist's past and present and are just as astonishing as a selection of his photorealistic paintings. 

In the exhibition "before now", we are showing the fascinating world of the renowned Estonian artist Ivar Kaasik, who lives in Berlin. His large-format abstract paintings are characterised by monochrome colours and strict geometry, expressing chaos and death, but also light, order and rebirth. The new works from 2022/24 and the older works from the 1990s lead the viewer into the artist's past and present and are just as astonishing as a selection of his photorealistic paintings. 

The exhibition shows paintings and watercolours by Berlin artist Tanja Selzer. By superimposing images from mass media and film stills with her own feelings, she creates new images that express freedom, closeness to nature, eroticism and individuality, but also vulnerability. Real and fabulous creatures entice the viewer to lead a free and self-determined life in a safe place. With effortless, fluid and lightly applied brushstrokes, the artist playfully emphasises the seriousness of her works.

The exhibition shows paintings and watercolours by Berlin artist Tanja Selzer. By superimposing images from mass media and film stills with her own feelings, she creates new images that express freedom, closeness to nature, eroticism and individuality, but also vulnerability. Real and fabulous creatures entice the viewer to lead a free and self-determined life in a safe place. With effortless, fluid and lightly applied brushstrokes, the artist playfully emphasises the seriousness of her works.

The exhibition shows paintings and watercolours by Berlin artist Tanja Selzer. By superimposing images from mass media and film stills with her own feelings, she creates new images that express freedom, closeness to nature, eroticism and individuality, but also vulnerability. Real and fabulous creatures entice the viewer to lead a free and self-determined life in a safe place. With effortless, fluid and lightly applied brushstrokes, the artist playfully emphasises the seriousness of her works.

The exhibition shows paintings and watercolours by Berlin artist Tanja Selzer. By superimposing images from mass media and film stills with her own feelings, she creates new images that express freedom, closeness to nature, eroticism and individuality, but also vulnerability. Real and fabulous creatures entice the viewer to lead a free and self-determined life in a safe place. With effortless, fluid and lightly applied brushstrokes, the artist playfully emphasises the seriousness of her works.

The exhibition shows paintings and watercolours by Berlin artist Tanja Selzer. By superimposing images from mass media and film stills with her own feelings, she creates new images that express freedom, closeness to nature, eroticism and individuality, but also vulnerability. Real and fabulous creatures entice the viewer to lead a free and self-determined life in a safe place. With effortless, fluid and lightly applied brushstrokes, the artist playfully emphasises the seriousness of her works.

The exhibition shows photography by the Bahamian artist Dale Grant, who lives in Berlin and Rotterdam. The fashion and portrait photographer's favourite models are flowers, which for him are an allegory of life: at the beginning of their life they look very similar, but the moment they begin to wither, we see their true and unique beauty. The petals become transparent and fragile, giving texture and form to the photographic image.

The exhibition shows photography by the Bahamian artist Dale Grant, who lives in Berlin and Rotterdam. The fashion and portrait photographer's favourite models are flowers, which for him are an allegory of life: at the beginning of their life they look very similar, but the moment they begin to wither, we see their true and unique beauty. The petals become transparent and fragile, giving texture and form to the photographic image.

The exhibition shows photography by the Bahamian artist Dale Grant, who lives in Berlin and Rotterdam. The fashion and portrait photographer's favourite models are flowers, which for him are an allegory of life: at the beginning of their life they look very similar, but the moment they begin to wither, we see their true and unique beauty. The petals become transparent and fragile, giving texture and form to the photographic image.

The exhibition shows photography by the Bahamian artist Dale Grant, who lives in Berlin and Rotterdam. The fashion and portrait photographer's favourite models are flowers, which for him are an allegory of life: at the beginning of their life they look very similar, but the moment they begin to wither, we see their true and unique beauty. The petals become transparent and fragile, giving texture and form to the photographic image.

The exhibition shows photography by the Bahamian artist Dale Grant, who lives in Berlin and Rotterdam. The fashion and portrait photographer's favourite models are flowers, which for him are an allegory of life: at the beginning of their life they look very similar, but the moment they begin to wither, we see their true and unique beauty. The petals become transparent and fragile, giving texture and form to the photographic image.

From 10 November 2023, nüüd.berlin gallery presents a show of works by Berlin-based photo artist Daniela Finke. The exhibition focuses on her latest series of works, "A Present from the Past", in which the artist explores the memorable appearance of horseshoe crabs (Limulidae), an endangered species whose age is estimated at over 400 million years and whose bluish blood is of great medical use to mankind.

From 10 November 2023, nüüd.berlin gallery presents a show of works by Berlin-based photo artist Daniela Finke. The exhibition focuses on her latest series of works, "A Present from the Past", in which the artist explores the memorable appearance of horseshoe crabs (Limulidae), an endangered species whose age is estimated at over 400 million years and whose bluish blood is of great medical use to mankind.

From 10 November 2023, nüüd.berlin gallery presents a show of works by Berlin-based photo artist Daniela Finke. The exhibition focuses on her latest series of works, "A Present from the Past", in which the artist explores the memorable appearance of horseshoe crabs (Limulidae), an endangered species whose age is estimated at over 400 million years and whose bluish blood is of great medical use to mankind.

From 10 November 2023, nüüd.berlin gallery presents a show of works by Berlin-based photo artist Daniela Finke. The exhibition focuses on her latest series of works, "A Present from the Past", in which the artist explores the memorable appearance of horseshoe crabs (Limulidae), an endangered species whose age is estimated at over 400 million years and whose bluish blood is of great medical use to mankind.

From 10 November 2023, nüüd.berlin gallery presents a show of works by Berlin-based photo artist Daniela Finke. The exhibition focuses on her latest series of works, "A Present from the Past", in which the artist explores the memorable appearance of horseshoe crabs (Limulidae), an endangered species whose age is estimated at over 400 million years and whose bluish blood is of great medical use to mankind.

In his new series of works, the young photo artist Moritz Koch tells the story of the extraterrestrial being Minerva, who comes to Earth to sensitise people to existential matters, in ten large-format, elaborately staged pictures. In the process, he processes visions of the future, from utopia to dystopia: speed, the search for meaning and climate change are just as much a theme as the reflection of interpersonal structures and conflicts.

In his new series of works, the young photo artist Moritz Koch tells the story of the extraterrestrial being Minerva, who comes to Earth to sensitise people to existential matters, in ten large-format, elaborately staged pictures. In the process, he processes visions of the future, from utopia to dystopia: speed, the search for meaning and climate change are just as much a theme as the reflection of interpersonal structures and conflicts.

In his new series of works, the young photo artist Moritz Koch tells the story of the extraterrestrial being Minerva, who comes to Earth to sensitise people to existential matters, in ten large-format, elaborately staged pictures. In the process, he processes visions of the future, from utopia to dystopia: speed, the search for meaning and climate change are just as much a theme as the reflection of interpersonal structures and conflicts.

In his new series of works, the young photo artist Moritz Koch tells the story of the extraterrestrial being Minerva, who comes to Earth to sensitise people to existential matters, in ten large-format, elaborately staged pictures. In the process, he processes visions of the future, from utopia to dystopia: speed, the search for meaning and climate change are just as much a theme as the reflection of interpersonal structures and conflicts.

In his new series, Bo Larsen deals painterly with the 1920s of this and the last century. The exhibition is closed from 17.07. - 05.08.2023 (summer break).

In his new series, Bo Larsen deals painterly with the 1920s of this and the last century. The exhibition is closed from 17.07. - 05.08.2023 (summer break).

In his new series, Bo Larsen deals painterly with the 1920s of this and the last century. The exhibition is closed from 17.07. - 05.08.2023 (summer break).

In his new series, Bo Larsen deals painterly with the 1920s of this and the last century. The exhibition is closed from 17.07. - 05.08.2023 (summer break).

In his new series, Bo Larsen deals painterly with the 1920s of this and the last century. The exhibition is closed from 17.07. - 05.08.2023 (summer break).

In this exhibition, the artist studies relations between kung fu culture and practices of self-defensive care within Black communities. The Berlin-based artis Philip Crawford (*1988, USA) asks us to slow down, to relax and breathe deeply, to join him in his study of these images, and then to do it all again. The exhibition features a series of prints and related video work. 

In this exhibition, the artist studies relations between kung fu culture and practices of self-defensive care within Black communities. The Berlin-based artis Philip Crawford (*1988, USA) asks us to slow down, to relax and breathe deeply, to join him in his study of these images, and then to do it all again. The exhibition features a series of prints and related video work. 

In this exhibition, the artist studies relations between kung fu culture and practices of self-defensive care within Black communities. The Berlin-based artis Philip Crawford (*1988, USA) asks us to slow down, to relax and breathe deeply, to join him in his study of these images, and then to do it all again. The exhibition features a series of prints and related video work. 

In this exhibition, the artist studies relations between kung fu culture and practices of self-defensive care within Black communities. The Berlin-based artis Philip Crawford (*1988, USA) asks us to slow down, to relax and breathe deeply, to join him in his study of these images, and then to do it all again. The exhibition features a series of prints and related video work. 

In their series "nature & destruction", the international renowned artists deal with the opposite poles of aesthetics and destruction. On the one hand, nature in their works is a supposedly perfect reproduction of what man hopes for from it: an untouched beauty and giver of all resources and powers. On the other hand, man is confronted in nature with its destruction and encroachment. The viewers are to be touched and stimulated to further confrontation and reflection.

In their series "nature & destruction", the international renowned artists deal with the opposite poles of aesthetics and destruction. On the one hand, nature in their works is a supposedly perfect reproduction of what man hopes for from it: an untouched beauty and giver of all resources and powers. On the other hand, man is confronted in nature with its destruction and encroachment. The viewers are to be touched and stimulated to further confrontation and reflection.

In their series "nature & destruction", the international renowned artists deal with the opposite poles of aesthetics and destruction. On the one hand, nature in their works is a supposedly perfect reproduction of what man hopes for from it: an untouched beauty and giver of all resources and powers. On the other hand, man is confronted in nature with its destruction and encroachment. The viewers are to be touched and stimulated to further confrontation and reflection.

In their series "nature & destruction", the international renowned artists deal with the opposite poles of aesthetics and destruction. On the one hand, nature in their works is a supposedly perfect reproduction of what man hopes for from it: an untouched beauty and giver of all resources and powers. On the other hand, man is confronted in nature with its destruction and encroachment. The viewers are to be touched and stimulated to further confrontation and reflection.

In their series "nature & destruction", the international renowned artists deal with the opposite poles of aesthetics and destruction. On the one hand, nature in their works is a supposedly perfect reproduction of what man hopes for from it: an untouched beauty and giver of all resources and powers. On the other hand, man is confronted in nature with its destruction and encroachment. The viewers are to be touched and stimulated to further confrontation and reflection.

While the international film festival BERLINALE is taking place in Berlin, we are showing a small retrospective of the painterly oeuvre of the old master of Polish film Jerzy Skolimowski in a double exhibition with the Polish Institute Berlin. In his large-format paintings on wood and canvas, he intervenes in discussions about current topics, such as the climate catastrophe.

While the international film festival BERLINALE is taking place in Berlin, we are showing a small retrospective of the painterly oeuvre of the old master of Polish film Jerzy Skolimowski in a double exhibition with the Polish Institute Berlin. In his large-format paintings on wood and canvas, he intervenes in discussions about current topics, such as the climate catastrophe.

While the international film festival BERLINALE is taking place in Berlin, we are showing a small retrospective of the painterly oeuvre of the old master of Polish film Jerzy Skolimowski in a double exhibition with the Polish Institute Berlin. In his large-format paintings on wood and canvas, he intervenes in discussions about current topics, such as the climate catastrophe.

While the international film festival BERLINALE is taking place in Berlin, we are showing a small retrospective of the painterly oeuvre of the old master of Polish film Jerzy Skolimowski in a double exhibition with the Polish Institute Berlin. In his large-format paintings on wood and canvas, he intervenes in discussions about current topics, such as the climate catastrophe.

Axel Teichmann's art usually depicts individual human figures in often surreal situations, so that dialogues and impulses arise with the viewer of the artwork. The artist deals with identity, technology, digitalisation and social change. Paintings, pastels on paper and sculptures made of acrylic glass, which offer a more abstract and thus new component in Teichmann's figurative-realistic art, can be seen in the exhibition.

Axel Teichmann's art usually depicts individual human figures in often surreal situations, so that dialogues and impulses arise with the viewer of the artwork. The artist deals with identity, technology, digitalisation and social change. Paintings, pastels on paper and sculptures made of acrylic glass, which offer a more abstract and thus new component in Teichmann's figurative-realistic art, can be seen in the exhibition.

Axel Teichmann's art usually depicts individual human figures in often surreal situations, so that dialogues and impulses arise with the viewer of the artwork. The artist deals with identity, technology, digitalisation and social change. Paintings, pastels on paper and sculptures made of acrylic glass, which offer a more abstract and thus new component in Teichmann's figurative-realistic art, can be seen in the exhibition.

Axel Teichmann's art usually depicts individual human figures in often surreal situations, so that dialogues and impulses arise with the viewer of the artwork. The artist deals with identity, technology, digitalisation and social change. Paintings, pastels on paper and sculptures made of acrylic glass, which offer a more abstract and thus new component in Teichmann's figurative-realistic art, can be seen in the exhibition.

Axel Teichmann's art usually depicts individual human figures in often surreal situations, so that dialogues and impulses arise with the viewer of the artwork. The artist deals with identity, technology, digitalisation and social change. Paintings, pastels on paper and sculptures made of acrylic glass, which offer a more abstract and thus new component in Teichmann's figurative-realistic art, can be seen in the exhibition.

The exhibition shows current works on the theme of nature by Berlin-based artist Sabine Beyerle (*1975). As in the macroscopic view of an insect's flight, the eye is immersed in the colours and structures of a meadow landscape. Detailed grasses, stalks and flowers interweave with abstract brushstrokes and pours that provide insights into the painterly process.

The exhibition shows current works on the theme of nature by Berlin-based artist Sabine Beyerle (*1975). As in the macroscopic view of an insect's flight, the eye is immersed in the colours and structures of a meadow landscape. Detailed grasses, stalks and flowers interweave with abstract brushstrokes and pours that provide insights into the painterly process.

The exhibition shows current works on the theme of nature by Berlin-based artist Sabine Beyerle (*1975). As in the macroscopic view of an insect's flight, the eye is immersed in the colours and structures of a meadow landscape. Detailed grasses, stalks and flowers interweave with abstract brushstrokes and pours that provide insights into the painterly process.

The exhibition shows current works on the theme of nature by Berlin-based artist Sabine Beyerle (*1975). As in the macroscopic view of an insect's flight, the eye is immersed in the colours and structures of a meadow landscape. Detailed grasses, stalks and flowers interweave with abstract brushstrokes and pours that provide insights into the painterly process.

The exhibition shows current works on the theme of nature by Berlin-based artist Sabine Beyerle (*1975). As in the macroscopic view of an insect's flight, the eye is immersed in the colours and structures of a meadow landscape. Detailed grasses, stalks and flowers interweave with abstract brushstrokes and pours that provide insights into the painterly process.

After two epically long pandemic years, we long for a summer of new freedoms and nights of revelry. But can we break out of the rehearsed crisis mode, of loneliness and emptiness, and surrender again to life, to sensuality that has become uncanny? Or do we have to think of the next morning and the busyness and distances of the day even in the liberating night? Artists of the gallery seek, find and give inspiration. Extended until 24 September 2022.

After two epically long pandemic years, we long for a summer of new freedoms and nights of revelry. But can we break out of the rehearsed crisis mode, of loneliness and emptiness, and surrender again to life, to sensuality that has become uncanny? Or do we have to think of the next morning and the busyness and distances of the day even in the liberating night? Artists of the gallery seek, find and give inspiration. Extended until 24 September 2022.

After two epically long pandemic years, we long for a summer of new freedoms and nights of revelry. But can we break out of the rehearsed crisis mode, of loneliness and emptiness, and surrender again to life, to sensuality that has become uncanny? Or do we have to think of the next morning and the busyness and distances of the day even in the liberating night? Artists of the gallery seek, find and give inspiration. Extended until 24 September 2022.

After two epically long pandemic years, we long for a summer of new freedoms and nights of revelry. But can we break out of the rehearsed crisis mode, of loneliness and emptiness, and surrender again to life, to sensuality that has become uncanny? Or do we have to think of the next morning and the busyness and distances of the day even in the liberating night? Artists of the gallery seek, find and give inspiration. Extended until 24 September 2022.

After two epically long pandemic years, we long for a summer of new freedoms and nights of revelry. But can we break out of the rehearsed crisis mode, of loneliness and emptiness, and surrender again to life, to sensuality that has become uncanny? Or do we have to think of the next morning and the busyness and distances of the day even in the liberating night? Artists of the gallery seek, find and give inspiration. Extended until 24 September 2022.

Scan is the first exhibition in Germany of works by Deni Horvatić, an artist born and living in Croatia in 1991. In his scan-like photographs, he removes the distance between himself and the portrayed by choosing a particular point of view: Taken from below, the images take as much as they give, for they deny the viewer a glimpse of the part of the body we most immediately associate with identity - the face.

Scan is the first exhibition in Germany of works by Deni Horvatić, an artist born and living in Croatia in 1991. In his scan-like photographs, he removes the distance between himself and the portrayed by choosing a particular point of view: Taken from below, the images take as much as they give, for they deny the viewer a glimpse of the part of the body we most immediately associate with identity - the face.

Scan is the first exhibition in Germany of works by Deni Horvatić, an artist born and living in Croatia in 1991. In his scan-like photographs, he removes the distance between himself and the portrayed by choosing a particular point of view: Taken from below, the images take as much as they give, for they deny the viewer a glimpse of the part of the body we most immediately associate with identity - the face.

How does one find focus in a diffuse world, calm in times of unrest? In her first solo exhibition, SUR LA TABLE, Anna Tunikova, born in 1994 and and working and living in Berlin, addresses the big questions. For her examination of the present, the artist draws on the past and abstracts forms in her paintings that are reminiscent of the Stone Age. In this field of tension between the times, what the audience is looking for opens up to them: calm and focus.

How does one find focus in a diffuse world, calm in times of unrest? In her first solo exhibition, SUR LA TABLE, Anna Tunikova, born in 1994 and and working and living in Berlin, addresses the big questions. For her examination of the present, the artist draws on the past and abstracts forms in her paintings that are reminiscent of the Stone Age. In this field of tension between the times, what the audience is looking for opens up to them: calm and focus.

How does one find focus in a diffuse world, calm in times of unrest? In her first solo exhibition, SUR LA TABLE, Anna Tunikova, born in 1994 and and working and living in Berlin, addresses the big questions. For her examination of the present, the artist draws on the past and abstracts forms in her paintings that are reminiscent of the Stone Age. In this field of tension between the times, what the audience is looking for opens up to them: calm and focus.

The photo exhibition #SpiritOfStBerlin presents works by street photographer and publicist Martin A. Völker. His Berlin images surprise with unusual insights and vistas, between the melancholy of everyday life and the departure into the dreamlike. Before the pandemic, city documents in stylish black and white dominate his work, transforming into abstract and colourful city icons during the pandemic. Berlin cool and hot at the same time.

The photo exhibition #SpiritOfStBerlin presents works by street photographer and publicist Martin A. Völker. His Berlin images surprise with unusual insights and vistas, between the melancholy of everyday life and the departure into the dreamlike. Before the pandemic, city documents in stylish black and white dominate his work, transforming into abstract and colourful city icons during the pandemic. Berlin cool and hot at the same time.

The abstract works created during the pandemic by the German-Danish artist, born in 1986, display an expressive colourfulness and develop a special luminosity through the use of neon pigments. The unusual combination of different painting techniques is what makes these special colour landscapes so appealing, moving between action painting, pop art, street art and abstraction.