In 1967, the Boymans-van Beuningen Museum in Rotterdam organized a retrospective exhibition dedicated to the Belgian artist René Magritte. Lothar Wolleh traveled to Brussels several times this year and visited the Magritte family in the run-up to the exhibition.

With his photographs, Lothar Wolleh created an intimate portrait of René Magritte's domestic life and his artistic practice. 

In 1967, the Boymans-van Beuningen Museum in Rotterdam organized a retrospective exhibition dedicated to the Belgian artist René Magritte. Lothar Wolleh traveled to Brussels several times this year and visited the Magritte family in the run-up to the exhibition.

With his photographs, Lothar Wolleh created an intimate portrait of René Magritte's domestic life and his artistic practice. 

The photographer Lothar Wolleh has been in close contact with European avant-garde artists since the early 1960s. It is less well known that “hybrid” works were also created as a result of collaboration: Wolleh's photographs, which were reworked by those portrayed.

The exhibition Lothar Wolleh Duo shows a selection of these works. With contributions by Sonia Delaunay, Lucio Fontana, Gotthard Graubner, Adolf Luther, Heinz Mack, Christian Megert, Dieter Roth and Günther Uecker, among others.

The photographer Lothar Wolleh has been in close contact with European avant-garde artists since the early 1960s. It is less well known that “hybrid” works were also created as a result of collaboration: Wolleh's photographs, which were reworked by those portrayed.

The exhibition Lothar Wolleh Duo shows a selection of these works. With contributions by Sonia Delaunay, Lucio Fontana, Gotthard Graubner, Adolf Luther, Heinz Mack, Christian Megert, Dieter Roth and Günther Uecker, among others.

Lothar Wolleh and Günther Uecker met in Düsseldorf in the mid-1960s. An intensive artistic exchange developed from the friendship early on. Photographer Wolleh has portrayed Günther Uecker several dozen times. In addition, their diverse cooperation projects are of particular importance.

Lothar Wolleh's photographs and a jointly designed artist book entitled "Das Nagelbuch" (1970-71) will be on display.

Lothar Wolleh and Günther Uecker met in Düsseldorf in the mid-1960s. An intensive artistic exchange developed from the friendship early on. Photographer Wolleh has portrayed Günther Uecker several dozen times. In addition, their diverse cooperation projects are of particular importance.

Lothar Wolleh's photographs and a jointly designed artist book entitled "Das Nagelbuch" (1970-71) will be on display.

Lothar Wolleh and Günther Uecker met in Düsseldorf in the mid-1960s. An intensive artistic exchange developed from the friendship early on. Photographer Wolleh has portrayed Günther Uecker several dozen times. In addition, their diverse cooperation projects are of particular importance.

Lothar Wolleh's photographs and a jointly designed artist book entitled "Das Nagelbuch" (1970-71) will be on display.

The exhibition is a homage to the multifaceted collaboration between Joseph Beuys and Lothar Wolleh. Part of the presentation are photographs, vintage prints on PVC and an installation of the artist's book by both artists entitled "Unterwasserbuch".

On the occasion of Joseph Beuys' 100th birthday in 2021, Lothar Wolleh Raum is also publishing a limited edition of Wolleh's photographs of Joseph Beuys.

The Lothar Wolleh Room presents an important selection of Lothar Wolleh's color photographs from the years 1962 to 1979. The focus is on the photographer's abstract images. Until his death in 1979, he created works dealing with the properties and spiritual meaning of color and light.

The Lothar Wolleh Room presents an important selection of Lothar Wolleh's color photographs from the years 1962 to 1979. The focus is on the photographer's abstract images. Until his death in 1979, he created works dealing with the properties and spiritual meaning of color and light.

In 1962 Lothar Wolleh began to work on his radically abstract color work, which is beyond photographic documentation. These early works, which were created in Rome, did not find their way into Wolleh's first large photo book. His pictures, which no longer revealed the individuality of the actors, seemed too radical to the editors.

In 1962 Lothar Wolleh began to work on his radically abstract color work, which is beyond photographic documentation. These early works, which were created in Rome, did not find their way into Wolleh's first large photo book. His pictures, which no longer revealed the individuality of the actors, seemed too radical to the editors.