until 05.01.2025
O futuro ja era / Einstürzende Neubauten. Festival zum 15. Geburtstag des Goethe-Instituts Angola (ZAK - Zentrum für zeitgenössische Kunst)
until 05.01.2025
Vom Teilen. Kunst an der (deutsch-polnischen) Grenze. (ZAK - Zentrum für Aktuelle Kunst)
Taysir Batniji, Natalia Brandt, Diana Fiedler, Heike Gallmeier, Manaf Halbouni, Jerzy Hejnowicz, Sven Johne, Celina Kanunnikava, Fabian Knecht, Simone Koch, Georgia Krawiec, Paweł Kula, Ewa Kulesza, Michael Kurzwelly, Christian Manss, Silke Markefka, Nikolai Vogel, Iga Martin, Anna Peschken, Marek Pisarsky, Paul Pfarr, Sophia Pompéry, Sonia Rammer, Joachim Richau, Roland Schefferski, Vitalii Shupliak, Łukasz Skąpski, Roland Stratmann, Marc Tobias Winterhagen.
Painting, Installation, Performance, Media Art, Fotografie, Mixed
Im Mittelpunkt der Ausstellung stehen zeitgenössische Werke aus dem Feld der border art. Die hier gezeigte Kunst reflektiert sowohl die polnisch-deutsche Grenze seit 1989, als auch Grenzen allgemein – diese werden nicht nur als politische und territoriale Trennlinien, sondern auch als eine Zone des Austauschs verstanden. Die Ausstellung umfasst Werke von ca. 30 Künstler*innen aus Deutschland, Polen, Palästina und der Ukraine. Kooperationspartner der Ausstellung ist das Nationalmuseum in Poznań.
until 05.01.2025
Die Symmetrie des tanzenden Opossums. (ZAK - Zentrum für Aktuelle Kunst)
Harald Fuchs.
Installation, Media Art, Mixed
Eine Ausstellung mit multimedialen Installationen und inszenierten Bildobjekten.
Profile
For further information in english please contact the gallery.
Upcoming
11.10. – 09.03.2025
Anschauungen.
Ein Weimarer Reformpädagoge und seine künstlerischen Werke. (Bastion Kronprinz)
Theo Hofschläger (1899–1974).
Painting, Watercolor, Linocut
Die Ausstellung zeigt die künstlerische Vielfalt eines Weimarer Reformpädagogen: Theo Hofschläger dokumentierte seine in Tagebüchern und Reisen mit Aquarellmalereien, porträtierte sich und seine Familie, erstellte Linoldrucke und eindrucksvolle Holzschnitzarbeiten. Der Kunst- und Werklehrer an der Lebensgemeinschaftsschule Spandau schuf seine Werke für sich und seine Familie, die hier erstmalig gezeigt werden. Einblicke in das Schulleben an der Spandauer Reformschule ergänzen die Ausstellung.
Object-related, illusionistic, mimetic, transformative: the interiors of the painter Fides Becker (* 1962 in Worms) and the photographer Anja Teske (* 1964 in Minden) find both points of contact and contrasts in an installative spatial situation. Both artists are inspired by everyday objects from different eras and capture carefully arranged home furnishings on the surface. With camera and brush, they direct the viewer’s gaze into hidden areas of the personal.
31.05. – 25.08.
Believe Me.
Georg Weißbach.
Painting, Work on Paper, Installation, Light Art.
Based on generally available painting instructions for amateurs and in an examination of centuries of art history, Georg Weißbach develops a broad panorama of painterly approaches that condense into a comprehensive picture of contemporary artistic strategies in dealing with a medium that has often been declared dead. The boundaries between high and popular culture begin to blur, opening up a liberated view of analog image worlds in the digital age.
31.05. – 25.08.
Twist.
Anette Rose.
Installation.
Anette Rose’s video installations are part of her long-term project of an “encyclopaedia of handling”. They focus both on mechanical production processes and on the body language of people performing various manual tasks. Between the fascination for technical processes and the concentrated attention on movements, a panorama of cultural realities emerges. The unifying theme of the installations ist he textile production.
31.05. – 25.08.
Mitkunstzentrale. Materielle Kollaborationen.
Valeria Fahrenkrog, Erik Göngrich, Nora Wilhelm.
Sculpture, Installation.
Repro
Abb.: MITKUNSTZENTRALE, Haus der Materialisierung, 2024 | Grafik: Bernhard Rose
The MITKUNSTZENTRALE at HAUS DER STATISTIK sees itself as a studio, laboratory, project space and discussion forum for the urgent questions of urban social future from an artistic/design perspective. The radical rethink from consumption to re-use, from resource exploitation to a sustainable approach to living beings, materials, energies and concepts determines the basis for joint thinking, discussion and work.
In the ZAK lounge we are showing the new additions to the Spandau art collection with works by Nasan Tur, Chloe Sherman, Anna Werkmeister, Sabine Herrmann, Doris Hinzen-Röhrig, Karen Scheper, Margareta Hesse, Carsten Borck, Deborah S. Philipps, Jase Kala and others.
16.03. – 18.08.
Multispecies Futures*.
Hartmut Kiewert.
Painting.
Repro
Crossing V,
Hartmut Kiewert,
2023, Photo:
Grafik: Bernhard Rose
The topic of Hartmut Kiewert's artistic work is the reflection on future possibilities of the relationship between humans and animals. Based on the utopian idea of peaceful and equal coexistence, the painter develops social images and narratives in which animals are no longer objects of exploitative practice, but become subjects of a changed and emancipatory world.
10.02. – 05.05.
Boosted Mimicry.
Tom Früchtl, Sabine Groß, Barbara Hindahl.
Painting, Drawing, Sculpture.
Painting, sculpture and drawing strategies of camouflage, fakes and trompe-l'oeil are at the centre of the exhibition Boosted Mimicry. As typical representatives of a post-postmodern generation, the three artists Tom Früchtl (* 1966), Sabine Groß (* 1961) and Barbara Hindahl (* 1960) dedicate themselves to a critical examination of the art context and investigate the different categories of our perception when we look at art.
10.02. – 05.05.
Kunst am Bau.
Drei Projekte.
Il-Jin Atem Choi, Philip Eichhorn, Anna Ehrenstein, Andreas Amrhein, Ivana de Vivanco, Marta Vovk, Neda Saeedi, Alex Lebus, Mary-Audrey Ramirez, Hannah Sophie Dunkelberg, Malte Bartsch, Raphaela Vogel, Lennart Wolff, Irene Fernández Arcas, Lorena Juan, Luciana Massarino, Julia Meyer-Brehm, Daniel Hahn, Johannes Mundinger, Aileen Treusch, Catharina Szonn, Felix Anatol Findeiß, Kira Dell, Laura Seidel, Lillian Morrissey, Maria Thrän, Elmar Zimmermann.
Mixed.
Repro
Spandau Azulejos, Baklava Peeps,
Anna Ehrenstein,
2023, Photo:
Grafik: Bernhard Rose
In 2023, three art-in-architecture competitions were announced in the district of Spandau:
New construction of the STEIG youth leisure center Renovation of an external location of the adult education center and music school New construction of an elementary school at Fehrbelliner Tor
A total of 16 entries by 24 artists from Berlin will be presented in a joint exhibition, including the award-winning designs.
10.02. – 05.05.
AntE-Landscapes.
Abie Franklin.
Painting, Installation.
Repro
emerald league,
Abie Franklin,
2023, Photo:
Grafik: Bernhard Rose
The term “anti-landscapes” describes desolate areas that are hostile to human life – also as a result of economic exploitation. Value attributions are applied beyond resources to people and ways of life: as less valuable, less human. The exhibition AntE-Landscapes by Abie Franklin (* 1995 in Jerusalem) takes up this entanglement of the micro and macro levels on the basis of two current groups of works.
The human body as an object of media staging, political appropriation and projection site of collective attributions, but also as a topic of human aestheticization is the focus of the works of Berlin artists Jürgen Baumann and Birgit Dieker. In a jointly developed exhibition concept, they juxtapose sculptural and photographic groups of works in a dialogical manner, thus creating an artistic space for the complex discussion of body-specific aspects of the present.
The human body as an object of media staging, political appropriation and projection site of collective attributions, but also as a topic of human aestheticization is the focus of the works of Berlin artists Jürgen Baumann and Birgit Dieker. In a jointly developed exhibition concept, they juxtapose sculptural and photographic groups of works in a dialogical manner, thus creating an artistic space for the complex discussion of body-specific aspects of the present.
Known for their impressive spatial techniques, the Berlin-based artists Asako Tokitsu and Andreas Schmid will use artistic means to re-experience the rooms on the upper floor of the ZAK from 22nd of September. They stand in the tradition of Minimal Art. For the elongated rooms of the ZAK, they will use spatial techniques to reenvision the alignments of the halls. The change of layout will make a visit to the exhibition a special aesthetic-artistic experience.
23.09.2023 – 07.01.
Bildhauerei. Und Anderes.
Simon P. Schrieber.
Painting, Sculpture.
Repro
Der lange Abschied,
Simon P. Schrieber
With Bildhauerei. Und Anderes, ZAK presents the Berlin artist Simon P. Schrieber, who places the human figure at the centre. The figures oscillate between archaic, arabesque and abstraction and showcasing Schrieber's unique artistic language. His works are characterized by concentrated volumes, exceptional compositions, and masterful handling of materials. In addition to sculpture, watercolours and drawings offer insight into his artistic development.
The Oriental tales of the bestselling author Karl May (1842-1912) serve as a connecting cultural-historical narrative for the self-portrayal of the three communities with cultural-historical objects, photographs and documents. The problems and topicality of his novels are discussed against the background of current debates.
A cultural-historical exhibition by Dr. Thomas Kramer
09.06.2023 – 01.04.
Bismarck-Streit.
Kultfigur und Denkmalsturz in einer interaktiven Ausstellung.
Márcio Carvalho, georgia Krawiec, Monumental Shadows , Projektion Bismarck .
Painting, Sculpture, Fotografie, Mixed.
During his lifetime, Otto von Bismarck's admirers dedicated more than 30 monuments to him – today, more than 700 monuments and a large number of Bismarck products are documented. The exhibition provides information on the Chancellor and the development of the cult figure. The artworks on display focus primarily on Bismarck's role in colonialism. Visitors are invited to engage in constructive debate and further develop the exhibition as a place for democratic debate.
27.05.2023 – 20.08.2023
Fotografien 2003–2023.
Jan Sobottka.
Fotografie.
Repro
Bruno Ganz,
Jan Sobottka,
2009,
Fotografie
For 20 years, Berlin photographer Jan Sobottka has been an attentive observer of the Berlin art scene. He portrays well and less known celebrities as well as the typical Berlin public. Although he does not work in a studio but in galleries and museums, he manages to create well-composed photo portraits in addition to spontaneous snapshots. His “models” – from Patti Smith to Bruno Ganz – follow his sparing and clear instructions.
27.05.2023 – 20.08.2023
Und dann.
Bernhard C. Striebel.
Painting, Sculpture, Textile art.
Repro
O.T.,
Bernhard C. Striebel,
2023
The painter and installation artist Bernhard Striebel works in the expanded coordinates of constructive-concrete art and combines space, image and language in his exhibitions, which are often site-specific. The elongated exhibition halls of the ZAK – Zentrum für Aktuelle Kunst (Centre for Contemporary Art) in the Old Barracks on the Citadel inspired him to create an expansive installation of light, colours and words.
10.02.2023 – 07.05.2023
Ein schöner Gedanke, so weich und spitz.
Margareta Hesse
10.02.2023 – 07.05.2023
Lass mich mich nicht kriegen.
Raphael Nagel
10.09.2022 – 01.01.2023
Big City Baby. (ZAK – Zentrum für Aktuelle Kunst)
Painting, Print.
Repro
It's you I'm thinking of,
Lars Unkenholz,
2022,
Öl auf Leinwand,
170 x 140 cm
Under the title Big City Baby, 39 young artists studying at the Weissensee School of Art bring the big city into the "small city" - the citadel. Located in Berlin but shielded from the outside world by thick walls, the Spandau Citadel becomes a model city, a conurbation of observations, counter-designs and commentaries on the metropolis.
10.09.2022 – 01.01.2023
Ausnahmezustand.
Polnische Fotokunst heute.
Filip Berendt, Kuba Dąbrowski, Karolina Gembara, Weronika Gęsicka,, Aneta Grzeszykowska, Magda Hueckel, Pawel Jaszczuk, Irena Kalicka, Anna Kieblesz, Zuza Krajewska, Adam Lach & Dyba Lach, Diana Lelonek, Michał Łuczak, Rafał Milach, Igor Omulecki,
uvm. (ZAK - Zentrum für Aktuelle Kunst)
Fotografie.
Repro
aus der Serie Strajk,
Rafał Milach ,
2020-2021, Photo:
courtesy the artist and Jednostka Gallery, Warsaw
The exhibition "Ausnahmezustand. Polnische Fotokunst heute" - curated by Grazyna Siedlecke and Jens Pepper - provides for the first time an overview of the vital contemporary Polish photo scene. Particularly against the backdrop of the worsening political situation and the progressive censorship of cultural processes, the work of the 28 photographers involved articulates the possibilities and limits of artistic production.
07.05.2022 – 21.08.2022
Die weite Ebene nach Westen, bis zum Horizont.
Horst de Marées. (ZAK - Zentrum für aktuelle Kunst)
Painting.
Repro
Verdun-de-Lauragais (Detail),
Horst de Marées,
um 1965,
Tempera auf Papier,
61 x 83 cm
The ZAK -Zentrum für Aktuelle Kunst presents in the comprehensive exhibition Die weite Ebene nach Westen, bis zum Horizont the work of the painter Horst de Marées, whose biography and work development reflect in exemplary form contemporary history and formative aspects of the art of the last century.
07.05.2022 – 21.08.2022
Über die Zeichnung hinaus.
Zeitgenössische Zeichnung in Berlin.
Sonja Alhäuser, Anke Becker, Matthias Beckmann, Laura Bruce, Claudia Busching, DAG, Jorn Ebner, Myriam El Haïk, Kati Gausmann, Bjørn Hegardt,
Hanna Hennenkemper, Timo Herbst, Peter Hock, Birgit Hölmer, Hannes Kater, Mark Lammert, Pia Linz, Petra Lottje, Leon Manoloudakis, Nanne Meyer, Ulrike Mohr, Tomoko Mori, Alex Müller, Bettina Munk, Kazuki Nakahara, Manfred Peckl uvm. (ZAK - Zentrum für Aktuelle Kunst)
Print.
Repro
Looking at Clouds,
2021,
Tusche auf Papier
The exhibition “Über die Zeichnung hinaus” shows the abundance of current drawing positions in Berlin: exuberant pictorial narrative and strict reduction, figuration and abstraction, documentation and site inspection, illusion and its suspension, the microscopic and the generous, drawing as performance, in books, in space or in animation film. Whether on paper or in combination with other media, drawing goes beyond itself and crosses borders.
07.05.2022 – 21.08.2022
Nachbilder.
Jochen Schneider. (ZAK - Zentrum für Aktuelle Kunst)
Painting, Print.
Repro
Ohne Titel,
Jochen Schneider,
2021,
Graphit auf Papier,
29,7 x 21 cm
We perceive Nachbilder with closed eyes, as memories, when the original light stimulus of the concrete pre-image has already faded away. It is similar with the works of Jochen Schneider – what we have seen resonates and provides the impetus for his drawings and then for images within us that now tell their own, new story – without providing final answers.
18.03.2022 – 19.06.2022
fünf plus x.
Studierende der Szenografie hinterfragen Thoraks Bronze-Pferde für Hitlers Reichskanzlei.
Hannah Beeck, Doruk Çiftçi, Noelia Contreras, Laura Lara, Lena Mehner, Andrea Palacios, Lara Scheuermann, Prapatsorn Sukkaset, Yasemin Tural.
Sculpture, Media Art, Mixed.
In cooperation with the Stadtgeschichtliches Museum Spandau, students of the master’s program “Bühnenbild_Szenischer Raum” of the TU of Berlin have taken part in the project “Idea Seminar for the Expansion of the Exhibition: ‘Enthüllt. Berlin und seine Denkmäler’ in connection with Josef Thorak’s pacing horses'” in the winter semester 2021/22. They dealt with the development and testing of new forms of narrative spatial design.
05.02.2022 – 18.04.2022
Train Lines.
Benjamin Kunath.
Print.
Repro
“Augustusplatz” aus der 238-teiligen Serie “Fahrplanaushang 2019”,
Benjamin Kunath,
Feder in Tusche auf Papier, Photo:
Moritz Zeller
The exhibition “Train Lines” is dedicated to the microcosm of “public transport” from the perspective of an artist who has been working as a driver for the Leipzig tram since 2014 and for the Berlin underground since 2021. This gives rise to drawn systems of notation of a social, political and psychological nature that provide a very concrete insight into the world of thought. Filtering and abstracting mirrors of our cities over a longer period of time and thus an artistic social atlas.
05.02.2022 – 18.04.2022
Fragile Formationen.
Eva Berendes, Heike Gallmeier, Gloria Zein.
Sculpture.
Repro
from the series „Gates“ (Detail),
Eva Berendes,
2020, Photo:
Heinrich Holtgreve/Ostkreuz
The exhibition brings together new, space-related works by the Berlin artists Eva Berendes, Heike Gallmeier and Gloria Zein. They deal with capacities of pictorial setting under the aspect of being temporary, fragile and ephemeral. The artists juxtapose the architectural complex of ideas of political and material permanence of the Citadel with concepts of provisional lightness, changeability and movement.
The four female painters in the exhibition “Figure. No Figure. X.” position themselves in the border area between figuration, structure, systematics and colour field. Their works unfold a field of contemporary painting that is as contrasting as it is rich in relationships and that is both classical and experimental.
12.11.2021 – 13.03.2022
Charterflug in die Vergangenheit.
50 Jahre Besucherprogramm des Berliner Senats für NS-Verfolgte. (Bastion Kronprinz | Zitadelle Spandau)
Mixed.
Repro
aktuell – Zeitschrift für ehemalige Berlinerinnen und Berliner, Ausgabe 8/Dezember 1971, Photo:
Foto: Wolfgang Bachmann | Grafik: Maximilian Jung
The Berlin Senate’s Emigrant Programme has been in existence for over 50 years: While the Federal Republic of Germany was gradually coming to terms with its National Socialist past, the Berlin Senate launched the Emigrants Programme in 1969. Former Berliners who had to leave the city due to persecution under fascism were invited to see their old home again. Over 35,000 people, the majority of them of Jewish origin, accepted the offer.
Susanne Specht (*1958 in Saarbrücken) is an abstract sculptor with an immensely wide and fascinating range of materials. As a master class student at the Berlin University of the Arts, she began with characteristic work in granite and eclogite.
World-shatteringn is an installation of lifebuoys at sea on the roll call grounds of the Spandau Citadel. They stand as a symbol for salvation and as a sign for people who have to flee from different places and times due to war, conflict, violence, poverty, ethnicity, political, religious or sexual attitudes and / or climate change.
The Leipzig painter Henriette Grahnert (*1977 in Dresden) moves brilliantly between, in and above the visual coordinate systems of a post-postmodern image culture. Her painterly compositions – which sometimes seem like collages at first glance – are fed by quotations, associations and reminiscences.« [In German: Harriet Zilch]
12.09.2021
Wie schmeckt Kunst? (ZAK - Zentrum für Aktuelle Kunst)
Mixed.
KGB Young Workshop
We taste, smell and hear each other through the world of art and get to know the ZAK on the citadel.
With his exhibition “Archipelago of the mind”, Christopher Winter takes us on a journey to his very personal mythologies at the productive interface between joyful affirmation and subtle criticism.
26.08.2021
Shell we talk?
Mixed.
18.07.2021 – 10.10.2021
Konrad Sommer und der Falter auf der Nase.
Konrad Sommer.
Painting.
Repro
Detail Gebirgslandschaft und Foto von Konrad Sommer,
Konrad Sommer und Antonie Sommer, Photo:
Antonie Sommer
The exhibition “Konrad Sommer and the Butterfly on the Nose” shows the largely unknown work of the Munich painter in an extensive retrospective. Konrad Sommer (1915 – 2012) can be seen as an exception in the art of the second half of the 20th century. After the Second World War, he devoted his work, which unfolded in various media, primarily to depicting landscapes.
One of the main focuses of the Spandau art collection is landscape painting from the beginning to the middle of the 20th century. In the past four years, works by Hans Zank / Willy Gericke and Hans Szym have been added through donations, bequests and acquisitions. In future, they will supplement the holdings for the new museum presentation in the Neukladow manor.
“feldern” stands for exchange, expansion of one’s own thought and action patterns and experimental interaction. The artists in the exhibition cooperate with a wide variety of disciplines and are now bringing together their studies and thoroughly controversial reflections on the interplay between systematics and randomness, self-observation and external observation, knowledge acquisition and artistic form-finding processes in a space-consuming installation.
Over the summer months, Michael Hischer's kinetic large-scale sculptures turn the citadel into an outdoor art space. 20 works from a multi-year cycle will be shown.
They are designed for the outside space, the wind moves them and allows them to be recognized as kinetic sculptures. The movement of its elements is left to chance due to the weather. In this way, time is inscribed in the sculptures and not only made tangible as four-dimensional objects.
The search for aesthetic appeal and intellectual stimulation characterizes Martin von Ostrowski’s passion for collecting. At flea markets and online auctions he not only finds curios, decorative items and kitsch, but also special historical finds. His studio resembles a cabinet of curiosities made of precious and banal things, of art, kitsch and above all – to speak with Susan Sontag – of the corresponding portion of camp, which is often one of the strategies of queer (self-) staging.
The sculptor Monika Brandmeier (* 1959 in Kamen, NRW) works also with formal reduction and material opulence. For the ZAK she is developing an extensive exhibition with installation objects, sculptures, drawings and video works that were created between 1984 and today. In the comparison, grouping arrangement or concentration of selected works, two basic approaches of the artist become clear.
28.03.2021 – 03.07.2021
Flucht nach Vorn / Migration im Fokus.
Mixed.
Which people flee for which reasons?What responsibility does Europe have when it comes to the causes of flight or the reception of migrants? “Migration in focus” is an analysis of these correlations and explains our immigration society as a continuous process. “Escape forwards” ties in with this on the individual level: The exhibition portrays different people with migration experiences in regards to their wishes, their achievements and their struggle for recognition in Germany.
The existence and contributions of people of African origin are still insufficiently recognized in Germany, both in historiography and in public discourse. And if they are, they are often spoken about by others instead of letting them have their word. Homestory Germany breaks with this: 27 biographies tell of racism and exclusion in Germany, but also of the diversity and work of black people – in the course of our common history and in all areas of our society.
13.09.2020 – 09.01.2022
Jein danke!
Spandau und die Gründung von Groß-Berlin 1920.
Mixed.
Repro
Einladungskarte "Jein danke" Stadtgeschichtliches Museum Spandau,
Sven Lindhorst-Emme,
2020
13.09.2020
Tag des offenen Denkmals.
Mixed.
11.09.2020 – 02.05.2021
Spree-Cuts.
Porträt einer Stadt_Fluss_Landschaft.
Götz Lemberg. (ZAK - Zentrum für aktuelle Kunst)
Fotografie.
Repro
Spree-Cuts,
Götz Lemberg,
2020,
Fotografie, Photo:
Götz Lemberg
11.09.2020 – 25.04.2021
Orange over White.
Daniel Sambo-Richter. (ZAK - Zentrum für aktuelle Kunst)
Painting.
Repro
Feuer (Detail),
Daniel Sambo-Richter,
2012,
Öl auf Leinwand,
130x220 cm
11.09.2020 – 02.05.2021
Kunst am Bau Spandau.
Wettbewerbsergenisse 2020.
Axel Anklam, Jenny Brockmann, Friederike Feldmann, Tom Früchtl, Ulrike Mohr, Matej Rízek, Gloria Zein, Raphael Beil, Birgit Cauer, Reinhard Haverkamp,
Vanessa Henn, Kai Schiemenz, Marina Schreiber, Michael Konstantin “Herr” Wolke. (ZAK - Zentrum für aktuelle Kunst)
Painting, Print, Sculpture, Fotografie, Textile art.
11.09.2020 – 27.12.2020
not for sale.
Antonia Bisig, Doris Hinzen-Röhrig, Silvia Sinha. (ZAK - Zentrum für aktuelle Kunst)
Painting, Print, Fotografie.
Repro
Collage "not for sale",
Doris Hinzen-Röhrig und Silvia Sinha,
2020,
Collage
11.09.2020 – 02.05.2021
disturbance: witch.
Jamika Ajalon, Tina Bara und Alba DʼUrbano, Emilio Bianchic, Anna und Bernhard Blume, Johanna Braun, Barbara Breitenfellner, Lysann Buschbeck, Sarah Decristoforo, Veronika Eberhart, Margret Eicher,
Valerio Figuccio, Parastou Forouhar, Gluklya, Nilbar Gür. (ZAK - Zentrum für aktuelle Kunst)
Painting, Print, Sculpture, Fotografie, Media Art, Performance.
Repro
9 is 1 and 10 is none,
Veronika Eberhart,
2017,
Filmstill
29.08.2020
Word-Café im Zentrum für Aktuelle Kunst.
In Vorbereitung der Ausstellung "disturbance:witch".
.
Mixed
16:00-17:00 Uhr
Buchvorstellung "Sex und so – Ein Aufklärungsbuch für alle" Lydia Meyer (Ullstein Verlag)
17:30-18:00 Uhr
Einblicke in das Heft: "Das Jungfernhäutchen gibt es nicht" Oliwia Hälterlein (Maro Verlag)
18:30-19:30 Uhr
Workshop zur Sensibilisierung und Reflexion unserer Sprachgewohnheiten zu Sexualität und Körper (Lydia Meyer, Oliwia Hälterlein & Sophie Wohlgemuth)
20:00-20:30 Uhr
Diskussions- und Austauschrunde (Sophie Wohlgemuth)
/ alle Info hier
14.08.2020 – 14.02.2021
Haut, Stein.
Jakob Ganslmeier. (Bastion Kronprinz)
Fotografie.
Repro
Serien "Haut, Stein",
Jakob Ganslmeier,
2019,
Fotografie C-Print, Photo:
Jakob Ganslmeier